In a dazzling, dreamlike Las Vegas, longtime couple Hank and Frannie break up on their fifth anniversary and each pursue the fantasy of new love over one neon-soaked night—he with a free-spirited acrobat, she with a seductive musician. But as illusion and reality blur, both must decide whether passion or devotion truly defines the heart.
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| Directing | Francis Ford Coppola | Director |
| Costume & Make-Up | April Ferry | Costumer |
| Crew | Conrad E. Palmisano | Stunt Coordinator |
| Editing | Randy Roberts | Editor |
| Art | Gary Fettis | Set Decoration |
| Production | Ralph S. Singleton | Production Manager |
| Art | Leslie McCarthy-Frankenheimer | Set Decoration |
| Production | Donald Heitzer | Production Manager |
| Costume & Make-Up | Ruth Morley | Costume Design |
| Art | Dean Tavoularis | Production Design |
| Editing | Rudi Fehr | Editor |
| Costume & Make-Up | Jene Fielder | Makeup Artist |
| Production | Jennifer Shull | Casting |
| Costume & Make-Up | Barbara Lorenz | Hairstylist |
| Editing | Anne Goursaud | Editor |
| Art | Angelo P. Graham | Art Direction |
| Costume & Make-Up | Jeff Angell | Makeup Artist |
| Sound | Tom Waits | Original Music Composer |
| Camera | Thomas E. Ackerman | Camera Operator |
| Production | Gray Frederickson | Producer |
| Production | Fred Roos | Producer |
| Sound | Richard Beggs | Sound Designer |
| Sound | Bob Alcivar | Orchestrator |
| Crew | Kenny Ortega | Choreographer |
| Directing | Kenneth D. Collins | Second Assistant Director |
| Directing | Arne Schmidt | First Assistant Director |
| Directing | Dan Attias | Second Assistant Director |
| Writing | Armyan Bernstein | Story |
| Writing | Armyan Bernstein | Screenplay |
| Writing | Francis Ford Coppola | Screenplay |
| Camera | John R. Leonetti | Assistant Camera |
| Camera | Vittorio Storaro | Director of Photography |
| Camera | Ronald Víctor García | Director of Photography |
| Sound | Tom Waits | Songs |
| Visual Effects | Robert Swarthe | Special Effects Supervisor |
| Production | Bernard Gersten | Executive Producer |
| Production | Armyan Bernstein | Co-Producer |
| Editing | Mona Skager | Associate Editor |
| Sound | Bones Howe | Music Producer |
| Crew | Bob Alcivar | Additional Music |
| Crew | Mickey Hart | Thanks |
| Crew | Bobby Vega | Thanks |
| Crew | Francis Ford Coppola | Presenter |
| Art | James J. Murakami | Assistant Art Director |
| Art | Alex Tavoularis | Conceptual Illustrator |
| Art | Dennis Gassner | Graphic Designer |
| Sound | James E. Webb | Sound Recordist |
| Sound | Chris McLaughlin | Sound Recordist |
| Sound | Jim Stuebe | Sound Recordist |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Sound | Scott Thomas | Sound Re-Recording Mixer |
| Sound | James Austin | Sound Re-Recording Mixer |
| Sound | Leslie Shatz | Supervising Sound Editor |
| Sound | Richard Burrow | Sound Editor |
| Sound | Teresa Eckton | Sound Editor |
| Sound | Vivien Hillgrove | Sound Editor |
| Sound | Gene L. Gillette | Music Editor |
| Camera | Enrico Umetelli | Camera Operator |
| Camera | Garrett Brown | Steadicam Operator |
| Crew | Bill Hansard | Film Processor |
| Camera | Roger Montgomery | Additional Camera |
| Camera | Mitch Dubin | Camera Department Manager |
| Camera | Robert Moore | Key Grip |
| Camera | Alfredo Marchetti | Key Grip |
| Camera | Phillip R. Sarabia | Best Boy Grip |
| Lighting | James O. Blair | Gaffer |
| Lighting | Daryl Smith | Best Boy Electric |
| Art | Donald Krafft | Leadman |
| Art | George Flaherty | Leadman |
| Crew | Kathryn Campbell | Visual Effects Editor |
| Visual Effects | Robert Eberlein | Visual Effects Camera |
| Visual Effects | Greg Jein | Visual Effects Supervisor |
| Camera | Scott Squires | Additional Photography |
| Camera | Hoyt Yeatman | Additional Photography |
| Camera | Fred Iguchi | Additional Photography |
| Camera | Tom Hollister | Additional Photography |
| Camera | Robert Waddell | Additional Photography |
| Production | Susan Landau Finch | Extras Casting |
| Production | Elisabeth Leustig | Extras Casting |
| Directing | Joanie Blum | Script Supervisor |
| Directing | Jeff Hamlin | Other |
| Costume & Make-Up | Dean Skipworth | Costumer |
| Art | David Jonas | Production Illustrator |
| Art | Joe Griffith | Production Illustrator |
| Visual Effects | Rocco Gioffre | Matte Painter |
| Camera | Jamie Anderson | Assistant Camera |
| Camera | Mark Freund | Assistant Camera |
| Camera | Thomas Klines | Assistant Camera |
| Camera | Keith Lundy | Assistant Camera |
| Camera | Mario Zavala | Assistant Camera |
| Camera | Peter Sorel | Still Photographer |
| Camera | Morgan Renard | Still Photographer |
| Art | Tom Shaw Jr. | Property Master |
| Art | Richard Young | Assistant Property Master |
| Art | John J. Rutchland Jr. | Construction Buyer |
| Art | Roger Dietz | Other |
| Editing | Chris Lebenzon | First Assistant Editor |
| Editing | Deborah Roberts | Assistant Editor |
| Editing | Kaja Fehr | Assistant Editor |
| Editing | Carrie Ellison | Assistant Editor |
| Production | Max Bercutt | Publicist |
| Production | Anne Schwebel | Publicist |
| Production | Estelle Changas | Production Coordinator |
| Crew | Joe Lombardi | Special Effects Coordinator |
| Crew | Tim Roslan | Transportation Coordinator |
| Production | Teri Fettis-D'Ovidio | Production Assistant |
| Production | Daniel R. Suhart | Production Assistant |
| Visual Effects | Wally Gentleman | Additional Visual Effects |
| Visual Effects | Ray Fielding | Additional Visual Effects |
| Visual Effects | Don Weed | Additional Visual Effects |
| Editing | Ernesto Novelli | Color Timer |
| Editing | Otto Paolini | Color Timer |
| Visual Effects | Karl Herrmann | Visual Effects Camera |
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