A story of two brothers, both writers of crime novels, one a fine, upstanding gentleman and the other a moody, neurotic, psychopath. The other is determined to create a 'faked' version of a perfect crime he intends to commit when an ex-convict visits them. They are both in love with their shared-stenographer-secretary.
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| Art | R. Holmes Paul | Art Direction |
| Directing | Basil Keys | First Assistant Director |
| Sound | Tom Otter | Sound |
| Camera | Alf Hicks | Assistant Camera |
| Editing | Robert Jordan Hill | Editor |
| Production | John Guillermin | Producer |
| Camera | Gerald Gibbs | Director of Photography |
| Sound | John Wooldridge | Music |
| Production | Robert Jordan Hill | Producer |
| Camera | Cyril Stanborough | Still Photographer |
| Camera | Gerald Moss | Camera Operator |
| Camera | Ceri Davies | Assistant Camera |
| Costume & Make-Up | Myra Cullimore | Wardrobe Supervisor |
| Writing | John Guillermin | Writer |
| Directing | Eric Pavitt | Second Assistant Director |
| Directing | Marjorie Owens | Continuity |
| Sound | John Wooldridge | Conductor |
| Sound | Philharmonia Orchestra | Music |
| Editing | Peter Dunbar | Assistant Editor |
| Directing | John Guillermin | Director |
| Production | Laurie Lawrence | Production Manager |
| Directing | Ted Josephs | First Assistant Director |
| Sound | Len Page | Sound |
| Sound | Dave Goghan | Sound |
| Costume & Make-Up | George Turner | Makeup Artist |
| Costume & Make-Up | Maude Onslow | Hairdresser |
| Writing | Robert Jordan Hill | Screenplay |
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