After Elizabeth's husband dies, she begins to play her tenor saxophone again, and remembers when she was 15 and a member of the Blonde Bombshells, an all-girl (with one exception) swing band. Accompanied by the exception and urged on by her grand-daughter, Elizabeth hunts up all the old members of the band and urges them to perform, and in doing so, learns more than she knew about the band, its members, the roses on the drum set, and herself--the last of the Blonde Bombshells.
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| Camera | Janine Modder | Additional Photography |
| Camera | Jay Jay Odedra | Focus Puller |
| Camera | Milly Donaghy | Camera Trainee |
| Camera | Ed Rutherford | Clapper Loader |
| Camera | Joss Barratt | Still Photographer |
| Directing | Gillies MacKinnon | Director |
| Costume & Make-Up | Kate Benton | Makeup Artist |
| Sound | Jack Stew | Foley Artist |
| Costume & Make-Up | Lisa Westcott | Makeup Artist |
| Costume & Make-Up | Beverley Binda | Makeup Artist |
| Sound | Andrea King | Foley Artist |
| Costume & Make-Up | Julie Dartnell | Makeup Artist |
| Sound | Mark DeSimone | ADR Mixer |
| Camera | Richard Greatrex | Director of Photography |
| Production | Deirdre Keir | Executive Producer |
| Production | Simon Wright | Executive Producer |
| Art | Michael Pickwoad | Production Design |
| Production | Analisa Barreto | Co-Producer |
| Sound | John E. Keane | Original Music Composer |
| Editing | Pia Di Ciaula | Editor |
| Production | Frank Doelger | Executive Producer |
| Art | Kate Lloyd-Spencer | Art Direction |
| Production | Di Carling | Casting |
| Costume & Make-Up | Frances Tempest | Costume Design |
| Writing | Alan Plater | Writer |
| Production | Su Armstrong | Producer |
| Directing | Matthew Sharp | Second Assistant Director |
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