In 1825, Clare, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.
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| Crew | Brittany Morris | Stunt Double |
| Writing | Lynne Vincent McCarthy | Script Editor |
| Directing | Susie Struth | Script Supervisor |
| Costume & Make-Up | Lyn Askew | Costume Supervisor |
| Sound | Glenn Finnan | Sound Recordist |
| Production | Alison Cohen | Executive Producer |
| Costume & Make-Up | Cassie O'Brien Pollard | Makeup Artist |
| Art | Brian Nickless | Set Designer |
| Sound | Will Sheridan | Sound Recordist |
| Sound | Francis Byrne | Sound Recordist |
| Art | Jocelyn Thomas | Art Department Coordinator |
| Sound | Nicole Lazaroff | Sound Recordist |
| Costume & Make-Up | Liz Goulding | Makeup Artist |
| Production | Jacqueline Lippett | Production Coordinator |
| Costume & Make-Up | Nikki Gooley | Hair Designer |
| Production | Philippa Kennedy | Production Secretary |
| Production | Hannah Andrews | Production Coordinator |
| Production | Peter Hicks | Location Manager |
| Crew | Gabrielle Rogers | Dialect Coach |
| Production | Kelly Graham | Casting Assistant |
| Camera | Ron Coe | First Assistant "A" Camera |
| Camera | Justin Meinesz | Grip |
| Art | Greg Hajdu | Construction Manager |
| Production | Gerard Webb | Extras Casting |
| Camera | Grant Adams | Steadicam Operator |
| Art | Matthew Paynter | Art Department Assistant |
| Art | Matt Jordin | Greensman |
| Crew | Gaetano Lagana | Scenic Artist |
| Camera | Grant Adams | Camera Operator |
| Camera | Zachary Peel-McGregor | Second Assistant "A" Camera |
| Camera | Glenn Arrowsmith | Key Grip |
| Camera | John Regan | Best Boy Grip |
| Camera | Darryl Murphy | Grip |
| Camera | Krzysztof Włodarczyk | Digital Imaging Technician |
| Lighting | Kabir Singh | Best Boy Electric |
| Production | Mark Kraus | Production Accountant |
| Production | Jane Binning | Extras Casting |
| Lighting | Ruru Reedy | Gaffer |
| Sound | Mark Lavery | Boom Operator |
| Art | Mike Patton | Property Master |
| Production | Kristin Kruger | First Assistant Accountant |
| Lighting | Shane Mowday | Best Boy Electric |
| Costume & Make-Up | Demelza Button | Makeup & Hair Assistant |
| Costume & Make-Up | Lauren Widdicombe | Truck Costumer |
| Costume & Make-Up | Jane Howard | Makeup & Hair Assistant |
| Costume & Make-Up | Yolanda Peart-Smith | Costumer |
| Production | Kim Bostock | Unit Manager |
| Costume & Make-Up | Anna Burstall | Key Costumer |
| Camera | Matt Nettheim | Still Photographer |
| Camera | Mark Rodgers | Still Photographer |
| Costume & Make-Up | Loretta Mangan | Makeup & Hair Assistant |
| Costume & Make-Up | Aimée Knight | Costume Assistant |
| Directing | Jennifer Kent | Director |
| Writing | Jennifer Kent | Writer |
| Art | Alex Holmes | Production Design |
| Crew | Tim Riach | Special Effects |
| Crew | Genevieve Bevan-John | Pyrotechnician |
| Production | Bruna Papandrea | Producer |
| Camera | Radek Ładczuk | Director of Photography |
| Production | Kristina Ceyton | Producer |
| Production | Nikki Barrett | Casting |
| Production | Steve Hutensky | Producer |
| Costume & Make-Up | Margot Wilson | Costume Design |
| Production | Jennifer Kent | Producer |
| Art | Christian Petersen | Set Decoration |
| Editing | Simon Njoo | Editor |
| Art | Sophie Nash | Art Direction |
| Crew | Eucla Davies | Special Effects |
| Sound | Jed Kurzel | Original Music Composer |
| Production | Amanda Crittenden | Line Producer |
| Costume & Make-Up | Nikki Gooley | Makeup Designer |
| Production | Aaron L. Gilbert | Executive Producer |
| Costume & Make-Up | Sheldon Wade | Key Hair Stylist |
| Costume & Make-Up | Larry Van Duynhoven | Prosthetic Supervisor |
| Production | Ben Browning | Executive Producer |
| Production | Jason Cloth | Executive Producer |
| Production | Brenda Gilbert | Executive Producer |
| Production | Jim Everett | Associate Producer |
| Production | Andrew Pollack | Executive Producer |
| Costume & Make-Up | Edward Yates | Prosthetic Makeup Artist |
| Crew | Judd Wild | Stunt Coordinator |
| Production | Wade Savage | Production Manager |
| Visual Effects | Marty Pepper | Visual Effects Supervisor |
| Visual Effects | Bree Whitford | Visual Effects Producer |
| Sound | Dean Ryan | Sound Mixer |
| Visual Effects | Srinivas Janapati | Visual Effects Coordinator |
| Crew | Elene Pepper | Post Production Supervisor |
| Sound | Leah Katz | Dialogue Editor |
| Sound | Robert Mackenzie | Sound Designer |
| Sound | Jed M. Dodge | Dialogue Editor |
| Crew | Mark Harmon | Compositor |
| Visual Effects | Michael Majchrzak | Digital Compositor |
| Visual Effects | Paul Wicke | Digital Compositor |
| Crew | Steve Daddow | Stunt Double |
| Visual Effects | Dante Nou | Digital Compositor |
| Directing | Killian Maguire | Second Assistant Director |
| Visual Effects | Philip Fraschetti | Digital Compositor |
| Visual Effects | Marc Purnell | Matchmove Supervisor |
| Visual Effects | David Smith | Visual Effects |
| Visual Effects | Grant Lovering | Digital Compositor |
| Visual Effects | Bryn Bayliss | Digital Compositor |
| Visual Effects | Evans Mark | Visual Effects |
| Visual Effects | Trent Adamczyk | Digital Compositor |
| Crew | Philli Anderson | Stunt Double |
| Directing | Jay Corry | Third Assistant Director |
| Visual Effects | Thomas Maher | Digital Compositor |
| Visual Effects | Steve Sexton | Digital Compositor |
| Visual Effects | Jireh Canlas | Digital Compositor |
| Costume & Make-Up | Nikki Gooley | Makeup & Hair |
| Crew | Luke Davis | Stunt Double |
| Crew | Mick Corrigan | Stunt Double |
| Sound | Tara Webb | Sound Effects Editor |
| Costume & Make-Up | Edward Yates | Prosthetic Designer |
| Directing | Chris Webb | First Assistant Director |
| Sound | Danielle Adams | ADR Recordist |
| Production | Breanna Geer | Location Coordinator |
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