In 1950s Pittsburgh, a frustrated African-American father struggles with the constraints of poverty, racism, and his own inner demons as he tries to raise a family.
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| Camera | Charlotte Bruus Christensen | Director of Photography |
| Directing | Denzel Washington | Director |
| Writing | August Wilson | Screenplay |
| Writing | August Wilson | Theatre Play |
| Sound | Jay B. Richardson | Music Editor |
| Costume & Make-Up | Suzy Freeman | Costume Supervisor |
| Costume & Make-Up | Angela Vesco | Key Costumer |
| Sound | Judah Getz | ADR & Dubbing |
| Production | Victoria Thomas | Casting |
| Costume & Make-Up | Jodie Stern | Assistant Costume Designer |
| Production | Linda Weaver | Casting Associate |
| Camera | David J. Thompson | Steadicam Operator |
| Sound | Edmond J. Coblentz Jr. | Foley Editor |
| Sound | Scott Millan | Sound Re-Recording Mixer |
| Costume & Make-Up | Ric Spencer | Key Costumer |
| Production | Scott Rudin | Producer |
| Visual Effects | Brian Drewes | Visual Effects Producer |
| Editing | Hughes Winborne | Editor |
| Costume & Make-Up | Bobbi-Jo Napoletano | Seamstress |
| Visual Effects | Doug Spilatro | Visual Effects Supervisor |
| Sound | Per Hallberg | Supervising Sound Editor |
| Lighting | Chris Muchow | Rigging Gaffer |
| Crew | Juan Melgoza | Sequence Supervisor |
| Visual Effects | Sean Devereaux | Visual Effects Supervisor |
| Costume & Make-Up | Rachel Geary | Makeup Artist |
| Art | Rebecca Brown | Set Decoration |
| Costume & Make-Up | Jesse Trevino | Ager/Dyer |
| Visual Effects | Meg Bailey | Visual Effects Producer |
| Costume & Make-Up | Nancy Keslar | Hairstylist |
| Costume & Make-Up | Brian Badie | Key Hair Stylist |
| Art | Gregory A. Weimerskirch | Art Direction |
| Art | Buster Pile | Construction Coordinator |
| Art | Kevin Ladson | Property Master |
| Sound | Chris Navarro | ADR & Dubbing |
| Production | Denzel Washington | Producer |
| Lighting | Ed Maloney | Gaffer |
| Camera | Peter Clemence | Dolly Grip |
| Sound | Michelle Pazer | ADR Editor |
| Sound | D. Chris Smith | Foley Editor |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Costume & Make-Up | Debi Young | Makeup Artist |
| Art | David Gropman | Production Design |
| Art | Karen Schulz Gropman | Art Direction |
| Costume & Make-Up | Sharen Davis | Costume Design |
| Production | Andrew Hadzopoulos | Casting Associate |
| Lighting | Nick Zinobile | Rigging Grip |
| Art | Maggie Adams | Art Department Coordinator |
| Art | Bob Feltman | Assistant Property Master |
| Sound | David Jobe | Foley |
| Editing | Bob Peishel | Digital Intermediate |
| Production | Dale Wells | Executive Producer |
| Costume & Make-Up | Patty Bell | Makeup Artist |
| Crew | Kyle Roberts | Makeup Effects |
| Sound | Ann Scibelli | Sound Designer |
| Crew | Jeremy Bellos | Stunt Driver |
| Lighting | Steve Cohagan | Best Boy Electric |
| Directing | Susan Ransom-Coyle | Second Assistant Director |
| Costume & Make-Up | Bethany Montecalvo | Makeup Artist |
| Crew | Clay Donahue Fontenot | Stunt Coordinator |
| Editing | Heather Mullen | First Assistant Editor |
| Directing | Dawn Gilliam | Script Supervisor |
| Sound | Douglas Shamburger | Boom Operator |
| Crew | Walter Hendrix III | Stunt Driver |
| Crew | Emmalee Muller | Stunt Driver |
| Visual Effects | Don Kemmer | Visual Effects Coordinator |
| Crew | Lois Yaroshefsky | Studio Teacher |
| Costume & Make-Up | Alta Marie Bialon | Hairstylist |
| Crew | Stefan Gutman | Stunt Driver |
| Lighting | Adam Grant | Lighting Technician |
| Production | Janice F. Sperling | Production Coordinator |
| Costume & Make-Up | Matiki Anoff | Makeup Artist |
| Sound | Jessie Pariseau | Foley Editor |
| Camera | Keith Seymour | Key Grip |
| Directing | Jono Oliver | First Assistant Director |
| Crew | Donne Michael McKissic | Stunts |
| Crew | Buddy Sosthand | Stunts |
| Camera | Gregory L. Edwards | Dolly Grip |
| Sound | Marcelo Zarvos | Original Music Composer |
| Production | Todd Black | Producer |
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