Tom and Mae Garvey are a Tennessee farming couple battling violent floods to save their land. In addition to natural disasters, the Garveys fight to stop a selfish land developer and a local corporation from foreclosing on their farm. While Mae stays at home to care for their children and tend to the crops, Tom finds work as a scab at a steel mill to preserve his family's property.
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| Directing | Mark Rydell | Director |
| Directing | Christopher Wilkinson | Second Unit Director |
| Crew | Richard Epper | Stunts |
| Crew | Blair Burrows | Stunts |
| Crew | Paula Moody | Stunts |
| Crew | Branscombe Richmond | Stunts |
| Crew | Bennie Moore | Stunts |
| Crew | Jophery C. Brown | Stunts |
| Crew | Alan Gibbs | Stunt Coordinator |
| Crew | Spike Silver | Stunts |
| Crew | Mark Orrison | Stunts |
| Crew | Tom Elliott | Stunts |
| Crew | Mario Roberts | Stunts |
| Crew | Clay Boss | Stunts |
| Crew | Harper Flaherty | Stunts |
| Crew | Mike De Luna | Stunts |
| Crew | Johnny Hock | Stunts |
| Production | Robert Cortes | Producer |
| Production | Barry Primus | Casting Consultant |
| Production | Lynn Stalmaster | Casting |
| Production | Terry Carr | Unit Production Manager |
| Editing | Sidney Levin | Editor |
| Art | Jane Bogart | Set Decoration |
| Art | Charles Rosen | Production Design |
| Costume & Make-Up | Brenda Todd | Makeup Artist |
| Costume & Make-Up | Lynn Del Kail | Hairstylist |
| Costume & Make-Up | Pete Altobelli | Assistant Makeup Artist |
| Costume & Make-Up | Joe I. Tompkins | Costume Design |
| Art | Norman Newberry | Art Direction |
| Writing | Robert Dillon | Screenplay |
| Writing | Robert Dillon | Story |
| Writing | Julian Barry | Screenplay |
| Camera | John J. Connor | Camera Operator |
| Lighting | Stuart A. Spohn | Gaffer |
| Sound | Kay Rose | Supervising Sound Editor |
| Art | Donald Krafft | Leadman |
| Camera | Dick Deats | Key Grip |
| Directing | Jerry Ziesmer | First Assistant Director |
| Art | William Ladd Skinner | Set Designer |
| Art | Nick Navarro | Set Designer |
| Directing | Robert Yannetti | Second Assistant Director |
| Directing | Tena Psyche Yatroussis | Second Assistant Director |
| Sound | David M. Ronne | Production Sound Mixer |
| Camera | Michael McGowan | Camera Operator |
| Visual Effects | Stan Parks | Special Effects Supervisor |
| Editing | Rick Sparr | Associate Editor |
| Art | David F. Klassen | Set Designer |
| Art | Sherman Labby | Production Illustrator |
| Camera | Michael Gershman | Camera Operator |
| Visual Effects | Ken Pepiot | Special Effects Supervisor |
| Costume & Make-Up | Pamela Wise | Costumer |
| Costume & Make-Up | Greg Hall | Costumer |
| Directing | Betsy Norton | Script Supervisor |
| Sound | Victoria Sampson | Sound Editor |
| Sound | Kenneth Wannberg | Music Editor |
| Sound | Duke Brown | Apprentice Sound Editor |
| Crew | Joseph Geisinger | Cableman |
| Lighting | Michael Barrett | Electrician |
| Editing | Beau Barthel | Assistant Editor |
| Sound | Hector C. Gika | Sound Assistant |
| Sound | John B. Schuyler | Boom Operator |
| Lighting | Randy Woodside | Best Boy Electrician |
| Camera | Hank Sheppherd | Best Boy Grip |
| Costume & Make-Up | Darryl M. Athons | Costumer |
| Editing | Robert Frazen | Assistant Editor |
| Sound | Neil Burrow | Sound Editor |
| Sound | Rod Rogers | Sound Assistant |
| Lighting | Ted Varnadoe | Best Boy Electrician |
| Camera | Steven Poster | Second Unit Director of Photography |
| Production | Barbara Harris | ADR Voice Casting |
| Production | Joe O'Har | Location Manager |
| Lighting | Norman Ash | Electrician |
| Camera | James M. Sheppherd | Dolly Grip |
| Art | Sonny Van Hecke | Assistant Property Master |
| Sound | Chester Slomka | Sound Editor |
| Sound | Jack Schrader | Sound Editor |
| Sound | Larry Singer | ADR Editor |
| Sound | Robert Thirlwell | Sound Re-Recording Mixer |
| Art | Tim Donelan | Swing |
| Lighting | Brent Poe | Electrician |
| Camera | Gregg Guellow | Best Boy Grip |
| Crew | Thomas Love | Special Effects |
| Art | William Maldonado | Construction Coordinator |
| Costume & Make-Up | Hugo Peña | Costumer |
| Sound | Jerry Rosenthal | Sound Editor |
| Art | Robert J. Visciglia Sr. | Property Master |
| Sound | John Roesch | Foley Artist |
| Editing | Donah Bassett | Negative Cutter |
| Crew | Julie Adams | Dialect Coach |
| Production | Jody Hummer | Extras Casting |
| Crew | Bruce Bahrenburg | Unit Publicist |
| Visual Effects | Syd Dutton | Matte Painter |
| Sound | Joan Rowe | Foley Artist |
| Production | Joan Wolpert | Production Coordinator |
| Editing | Aubrey Head | Color Timer |
| Crew | Willie Radcliff | Craft Service |
| Sound | Herbert W. Spencer | Orchestrator |
| Sound | Nick Alphin | Sound Re-Recording Mixer |
| Camera | James Zenk | Still Photographer |
| Camera | Vilmos Zsigmond | Director of Photography |
| Sound | John Williams | Original Music Composer |
| Crew | Paul H. Stewart | Special Effects |
| Crew | Rick Avery | Stunts |
| Production | Edward Lewis | Producer |
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