Secret agent Harry Hannan suffers a mental breakdown when a botched mission in Mexico results in the death of his wife. He is sent to a mental asylum, after which he eventually returns to work. But, once again, he begins to doubt his sanity when he receives a bizarre death threat written in Hebrew. Not knowing which of his colleagues wants to kill him, Hannan teams up with pretty young college student Ellie Fabian to attempt to unravel the mystery.
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| Directing | Jonathan Demme | Director |
| Directing | Sandy McLeod | Script Supervisor |
| Directing | Evelyn Purcell | Second Unit Director |
| Camera | Catharine Bushnell | Still Photographer |
| Production | John Nicolella | Production Manager |
| Art | James Mazzola | Property Master |
| Sound | Stan Bochner | Sound Effects Editor |
| Directing | Michael Rauch | First Assistant Director |
| Costume & Make-Up | Max Henriquez | Makeup Artist |
| Sound | Louis Cerborino | Sound Effects Editor |
| Crew | Cosmo Sorice | Scenic Artist |
| Directing | Steven Felder | Second Assistant Director |
| Crew | Gary Kalkin | Unit Publicist |
| Lighting | William Ward | Gaffer |
| Camera | Tom Priestley Jr. | Camera Operator |
| Camera | Billy Miller | Key Grip |
| Sound | John Fundus | Sound Recordist |
| Sound | Maurice Schell | Sound Effects Editor |
| Sound | George Korngold | Music Editor |
| Production | Sylvia Fay | Extras Casting |
| Writing | Murray Teigh Bloom | Novel |
| Production | Michael Taylor | Producer |
| Editing | Barry Malkin | Editor |
| Production | Scott Rudin | Casting |
| Camera | Tak Fujimoto | Director of Photography |
| Production | John Nicolella | Associate Producer |
| Sound | Miklós Rózsa | Original Music Composer |
| Art | James A. Taylor | Art Direction |
| Art | Charles Rosen | Production Design |
| Writing | David Shaber | Writer |
| Production | Dan Wigutow | Producer |
| Crew | John Burke | Special Effects |
| Production | Lou Fusaro | Unit Manager |
| Camera | Vinnie Gerardo | First Assistant Camera |
| Camera | Bill Gerardo | Second Assistant Camera |
| Sound | Les Lazarowitz | Sound |
| Camera | Richard C. Kratina | Additional Photography |
| Camera | Edward Lachman | Additional Photography |
| Costume & Make-Up | Joe Tubens | Hair Designer |
| Editing | Maurice Schell | Assistant Editor |
| Sound | Dick Vorisek | Sound Re-Recording Mixer |
| Sound | Richard Guinness | Boom Operator |
| Crew | Ted Grossman | Stunts |
| Crew | Cha Cha Sandoval-McMahon | Stunts |
| Crew | Bill Couch | Stunts |
| Directing | James Quinn | Assistant Director |
| Lighting | Richard Hart | Gaffer |
| Camera | Bob Rose | Key Grip |
| Art | Sal Vecchio | Property Master |
| Art | James W. Payne | Set Decoration |
| Production | Karen Divisek | Casting |
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