Anton Ivanovich Voronov is a highly respected professor at the Moscow Conservatoire, who places the music of Bach above everything else and regards it as the ultimate yardstick by which other musical accomplishments must be measured. His daughter, Serafima, is an aspiring singer with great potential, and her father’s anger is aroused when she begins singing in the operetta composed by Aleksei Mukhin, thus abandoning what he considers the higher calling of opera. Mukhin’s work, however, demands a high level of ability from his soloist, and Anton Ivanovich is persuaded of the legitimacy of operetta as a musical genre when, in a dream, he is visited by Johann Sebastian Bach himself, who tells him that ‘people need all kinds of music’.
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| Sound | Dmitri Kabalevsky | Original Music Composer |
| Writing | Georgi Munblit | Screenplay |
| Camera | Yevgeni Shapiro | Director of Photography |
| Writing | Yevgeni Petrov | Writer |
| Directing | Aleksandr Ivanovsky | Director |
| Art | Abram Veksler | Production Design |
| Production | Fridrikh Ermler | Producer |
| Directing | Karl Gakkel | Assistant Director |
| Camera | Arkadi Koltsaty | Additional Director of Photography |
| Art | Semyon Mandel | Set Designer |
| Production | Yefim Khayutin | Producer |
| Sound | Ivan Dmitriyev | Sound Director |
| Directing | Leon Jeannot | First Assistant Director |
| Directing | L. Karaseva | Second Assistant Director |
| Editing | Aleksandr Ivanovsky | Editor |
| Camera | Ilya Goldberg | Assistant Camera |
| Camera | Muzakir Shurukov | Assistant Camera |
| Art | Mikhail Tsybasov | Assistant Production Design |
| Art | Elza Rappoport | Assistant Production Design |
| Costume & Make-Up | Lidiya Shildknekht | Costume Design |
| Writing | Vsevolod Rozhdestvenskiy | Lyricist |
| Sound | Johann Sebastian Bach | Music |
| Sound | Charles Gounod | Music |
| Sound | Georg Friedrich Händel | Music |
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