Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia's fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.
Unfortunately the movie Kiki: Love to Love is not yet available on Netflix. Follow us on Facebook to see when Kiki: Love to Love becomes available on Netflix!
| Directing | Paco León | Director |
| Costume & Make-Up | Pedro Raúl de Diego | Makeup Artist |
| Production | Pilar Moya | Casting |
| Writing | Paco León | Writer |
| Writing | Fernando Pérez | Screenplay |
| Camera | Kiko de la Rica | Director of Photography |
| Sound | Ale Acosta | Original Music Composer |
| Writing | Josh Lawson | Original Film Writer |
| Production | Ghislain Barrois | Producer |
| Production | Álvaro Augustin | Producer |
| Production | Andrés Martín | Producer |
| Production | Maribel Muñoz | Executive Producer |
| Production | Elena Manrique | Executive Producer |
| Production | Agnès Mentre | Executive Producer |
| Production | Jamie Hill | Executive Producer |
| Production | Josh Lawson | Executive Producer |
| Production | Michael Petroni | Executive Producer |
| Production | Pilar Robla | Production Manager |
| Editing | Alberto de Toro | Editor |
| Sound | Sergio Burmann | Sound Recordist |
| Sound | Pelayo Gutiérrez | Sound Supervisor |
| Sound | Eduardo Castro | Sound Re-Recording Mixer |
| Art | Montse Sanz | Production Design |
| Art | Vicent Díaz | Production Design |
| Costume & Make-Up | Pepe Patatín | Costume Design |
| Costume & Make-Up | Javier Bernal Belchí | Costume Design |
| Costume & Make-Up | Lorena Berlanga | Makeup Department Head |
| Costume & Make-Up | Mónica Palacios | Hair Department Head |
| Directing | Laura Alvea | First Assistant Director |
| Directing | María Bellapart | Script Supervisor |
| Directing | Hugo Baena | Second Assistant Director |
| Directing | Joaquín Villalonga | Third Assistant Director |
| Production | Begoña Muñoz Corcuera | Unit Production Manager |
| Production | Alberto Poveda Rey | Location Manager |
| Production | Lorena Gomes | Production Coordinator |
| Production | Álvaro Sánchez Bustos | Key Production Assistant |
| Camera | Usue Sanz | First Assistant Camera |
| Camera | Virginia Camino | First Assistant Camera |
| Camera | María de la Rica | Assistant Camera |
| Camera | Quim Vives | Still Photographer |
| Camera | Manuel Romo | BTS Footage |
| Camera | Raúl Manchado | Steadicam Operator |
| Camera | Álvaro Carla | Steadicam Operator |
| Editing | Pablo Marchetto | Assistant Editor |
| Visual Effects | Ferrán Piquer | VFX Supervisor |
| Visual Effects | Álvaro León Acosta | Opening/Ending Animation |
| Sound | Tamara Arévalo | Boom Operator |
| Sound | Alfonso Gil España | Sound Assistant |
| Sound | Miguel Muñoz Huete | Dialogue Editor |
| Sound | Miguel Barbosa | Foley Artist |
| Sound | Diego S. Staub | Foley Mixer |
| Art | Germán Quejido Perrucha | Property Master |
| Art | Daniel Reguilón | Set Dresser |
| Costume & Make-Up | Sara Cabrera | Assistant Costume Designer |
| Lighting | Ignacio Romanillos | Gaffer |
| Lighting | Óscar de Luna | Electrician |
| Lighting | Santiago Millán | Electrician |
| Lighting | Dionisio Alarcón | Electrician |
| Camera | Roberto Miguel | Key Grip |
| Crew | Paolo Vasile | Thanks |
| Crew | Verónica Echegui | Thanks |
| Crew | Hugo Silva | Thanks |
| Crew | Ernesto Sevilla | Thanks |
| Crew | Elvira Lindo | Thanks |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!