A boxing ring turns into a stage for abstract animation where the punches thrown in the match and the halftone dots in reprographics gradually become indistinguishable. Tanaami shot a boxing match on a Motordrive camera, made two thousand offset prints, and rephotographed each of them. He explains his inspiration for the work being the experience of watching a boxing match on television but finding the newspaper print the next morning better capturing the exhilaration of the sport.
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| Directing | Keiichi Tanaami | Director |
| Sound | Takashi Nishioka | Music |
| Production | Keiichi Tanaami | Producer |
| Camera | Tadashi Endo | Director of Photography |
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