A young doctor taking a break from work is shot in the head, and the police can't find a clue even as to a possible motive. Inspector Al Gordon (John Alexander) decides that he has to put some men on duty at the hospital, and one of them is Fred Rowan (Richard Conte), a detective with experience as an army medic, masquerading as an intern. What Rowan finds is a high-pressure world in which interns are hopelessly squeezed for time, sleep, energy, and -- most of all -- money, and walk a fine line on the edge of personal and professional disaster.
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Directing | George Sherman | Director |
Editing | Frank Gross | Editor |
Camera | William Miller | Director of Photography |
Writing | Jo Eisinger | Screenplay |
Production | Leonard Goldstein | Producer |
Writing | Jo Eisinger | Story |
Art | Bernard Herzbrun | Art Direction |
Art | Emrich Nicholson | Art Direction |
Art | Fred Ballmeyer | Set Decoration |
Sound | Leslie I. Carey | Sound |
Sound | Corson Jowett | Sound |
Costume & Make-Up | Donoene M. Lambert | Hairstylist |
Costume & Make-Up | Ira Senz | Makeup Artist |
Directing | Josephine Cohn | Script Supervisor |
Sound | Frank Skinner | Music Director |
Lighting | Arthur Maher | Gaffer |
Camera | William J. Nallan | Grip |
Camera | Frank Serjack | Still Photographer |
Directing | John Sherwood | Assistant Director |
Production | Lew Leary | Production Manager |
Costume & Make-Up | Rosemary Odell | Costume Designer |
Sound | Frank Skinner | Original Music Composer |
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