A young doctor taking a break from work is shot in the head, and the police can't find a clue even as to a possible motive. Inspector Al Gordon (John Alexander) decides that he has to put some men on duty at the hospital, and one of them is Fred Rowan (Richard Conte), a detective with experience as an army medic, masquerading as an intern. What Rowan finds is a high-pressure world in which interns are hopelessly squeezed for time, sleep, energy, and -- most of all -- money, and walk a fine line on the edge of personal and professional disaster.
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| Directing | George Sherman | Director |
| Writing | Jo Eisinger | Screenplay |
| Writing | Jo Eisinger | Story |
| Production | Leonard Goldstein | Producer |
| Camera | William Miller | Director of Photography |
| Editing | Frank Gross | Editor |
| Art | Bernard Herzbrun | Art Direction |
| Art | Emrich Nicholson | Art Direction |
| Art | Fred Ballmeyer | Set Decoration |
| Sound | Leslie I. Carey | Sound |
| Sound | Corson Jowett | Sound |
| Costume & Make-Up | Donoene M. Lambert | Hairstylist |
| Costume & Make-Up | Ira Senz | Makeup Artist |
| Directing | Josephine Cohn | Script Supervisor |
| Sound | Frank Skinner | Music Director |
| Lighting | Arthur Maher | Gaffer |
| Camera | William J. Nallan | Grip |
| Camera | Frank Serjack | Still Photographer |
| Directing | John Sherwood | Assistant Director |
| Production | Lew Leary | Production Manager |
| Costume & Make-Up | Rosemary Odell | Costume Designer |
| Sound | Frank Skinner | Original Music Composer |
| Sound | Ethmer Roten | Musician |
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