The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.
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| Directing | Susana Bernal | Director |
| Production | Cecilia Domínguez | Associate Producer |
| Production | Elizabeth Morales | Production Office Coordinator |
| Editing | Phaedra Robledo | Color Timer |
| Crew | Ariel Gordon | Post Production Supervisor |
| Sound | Alicia Segovia Juárez | Sound Mixer |
| Production | Susana Bernal | Producer |
| Sound | Susana Bernal | Sound Director |
| Crew | Susana Bernal | Cinematography |
| Sound | David Castillo | Foley |
| Sound | Alicia Segovia Juárez | Sound Designer |
| Sound | Fernando Vigueras | Music |
| Crew | Pablo Bernal | Editorial Staff |
| Writing | Susana Bernal | Screenplay |
| Camera | Santiago Torres | Director of Photography |
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