During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
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| Directing | Ridley Scott | Director |
| Art | Michael Seymour | Production Design |
| Crew | Brian Johnson | Special Effects |
| Art | Ian Whittaker | Set Decoration |
| Production | Gordon Carroll | Producer |
| Art | Leslie Dilley | Art Direction |
| Art | Roger Christian | Art Direction |
| Editing | Peter Weatherley | Editor |
| Production | Mary Goldberg | Casting |
| Production | Mary Selway | Casting |
| Production | Walter Hill | Producer |
| Production | David Giler | Producer |
| Camera | Derek Vanlint | Director of Photography |
| Sound | Jerry Goldsmith | Original Music Composer |
| Costume & Make-Up | John Mollo | Costume Design |
| Production | Ronald Shusett | Executive Producer |
| Editing | Terry Rawlings | Editor |
| Crew | Roy Scammell | Stunt Coordinator |
| Camera | Bob Penn | Still Photographer |
| Art | Jonathan Amberston | Assistant Art Director |
| Sound | Max Bell | Dolby Consultant |
| Art | Jean Giraud | Conceptual Design |
| Sound | Ben Burtt | Sound Designer |
| Crew | Phil Knowles | Special Effects Technician |
| Crew | Dennis Lowe | Special Effects Technician |
| Directing | Kay Fenton | Continuity |
| Art | Bill Welch | Construction Manager |
| Production | Garth Thomas | Production Manager |
| Costume & Make-Up | Sarah Monzani | Hairdresser |
| Costume & Make-Up | Tommie Manderson | Makeup Supervisor |
| Art | Ron Cobb | Concept Artist |
| Camera | Jimmy Walters | Key Grip |
| Crew | Neil Swan | Special Effects Technician |
| Sound | Jim Shields | Sound Editor |
| Lighting | Ray Evans | Gaffer |
| Art | Benjamín Fernández | Assistant Art Director |
| Crew | Guy Hudson | Special Effects Technician |
| Crew | David H. Watkins | Special Effects Technician |
| Visual Effects | Dennis Ayling | VFX Director of Photography |
| Visual Effects | H. R. Giger | Creature Design |
| Visual Effects | Brian Johnson | Special Effects Supervisor |
| Costume & Make-Up | Pat Hay | Makeup Artist |
| Directing | Paul Ibbetson | First Assistant Director |
| Crew | Roger Nichols | Special Effects Technician |
| Art | Chris Foss | Concept Artist |
| Sound | Derrick Leather | Production Sound Mixer |
| Sound | Bill Rowe | Sound Re-Recording Mixer |
| Sound | Robert Hathaway | Music Editor |
| Costume & Make-Up | Tiny Nicholls | Wardrobe Supervisor |
| Directing | Raymond Becket | Assistant Director |
| Visual Effects | Patti Rodgers | Modeling |
| Sound | Lionel Newman | Conductor |
| Production | Bill Finch | Production Accountant |
| Crew | George Gunning | Carpenter |
| Visual Effects | Eddie Butler | Modeling |
| Crew | Eddie Powell | Stunts |
| Crew | Brian Doyle | Unit Publicist |
| Production | Ivor Powell | Associate Producer |
| Sound | Bryan Tilling | Dialogue Editor |
| Art | Dave Jordan | Property Master |
| Costume & Make-Up | Graham Churchyard | Costume Assistant |
| Visual Effects | Carlo Rambaldi | Visual Effects |
| Visual Effects | Nick Allder | Special Effects Supervisor |
| Visual Effects | Peter Voysey | Modelling Supervisor |
| Writing | Dan O'Bannon | Story |
| Writing | Ronald Shusett | Story |
| Writing | Dan O'Bannon | Screenplay |
| Crew | Bernard Lodge | Special Effects |
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