Young lawyer Ruth Bader Ginsburg teams with her husband Marty to bring a groundbreaking case before the U.S. Court of Appeals and overturn a century of sex discrimination.
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| Production | Victoria Thomas | Casting |
| Sound | Mychael Danna | Music |
| Art | Nelson Coates | Production Design |
| Costume & Make-Up | Isis Mussenden | Costume Design |
| Production | Jonathan King | Producer |
| Production | Robert W. Cort | Producer |
| Production | Jeff Skoll | Executive Producer |
| Camera | Michael Grady | Director of Photography |
| Directing | Mimi Leder | Director |
| Production | Betsy Danbury | Executive Producer |
| Production | Betsy Danbury | Line Producer |
| Production | Karen Loop | Executive Producer |
| Art | Paola Ridolfi | Art Direction |
| Costume & Make-Up | Ghislaine Sant | Hairstylist |
| Production | Adrian Knight | Location Manager |
| Costume & Make-Up | Michelle Côté | Hair Department Head |
| Art | Camille Parent | Art Direction |
| Editing | Michelle Tesoro | Editor |
| Writing | Daniel Stiepleman | Screenplay |
| Production | Daniel Stiepleman | Executive Producer |
| Directing | Nathalie Paquette | Script Supervisor |
| Camera | Alain Bisson Doyal | Key Grip |
| Sound | Jean Camden | Sound Mixer |
| Crew | Niccole Osborn | Post Production Supervisor |
| Sound | Damien Berger | Boom Operator |
| Costume & Make-Up | Jean Scarabin | Hairstylist |
| Production | Melissa H. Morgan | Production Supervisor |
| Production | Mélanie Simard | Unit Manager |
| Crew | Luc Therrien | Special Effects |
| Crew | Naomi Joy Todd | Dialect Coach |
| Crew | André Laforest | Driver |
| Production | Erin F. Larsen | Associate Producer |
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