In the shadow of the Range Rover murders, drugs, violence and revenge continue to reign in a criminal underworld even darker and deadlier than before as a new generation of Essex Boys begin to carve their bloody mark.
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| Production | Rod Smith | Producer |
| Directing | Amy McIntyre | Script Supervisor |
| Directing | Greg Hall | Director |
| Production | Lee Mountjoy | Casting |
| Editing | Andrew McKee | Editor |
| Art | Matthew Scipio | Production Design |
| Visual Effects | William Allum | VFX Artist |
| Costume & Make-Up | Claudette Fruchier | Makeup Designer |
| Writing | Bernard O'Mahoney | Book |
| Sound | Alan Deacon | Sound Designer |
| Writing | Simon Cluett | Screenplay |
| Production | Neil Jones | Producer |
| Production | Jonathan Sothcott | Producer |
| Camera | Ismael Issa | Director of Photography |
| Sound | Phillippe Aichinger | Boom Operator |
| Sound | Simon Hornett | Sound Recordist |
| Lighting | Greg McFarlane King | Gaffer |
| Visual Effects | Graham Povey | Special Effects Supervisor |
| Costume & Make-Up | Justyna Kruszka | Assistant Makeup Artist |
| Crew | Nick Maison | Stunts |
| Production | Randa Ray | Extras Casting |
| Directing | Kylie McCaw Drew | Second Assistant Director |
| Production | Patricia Rybarczyk | Production Manager |
| Editing | Roisin Baxandall | Assistant Editor |
| Art | William Allum | Title Designer |
| Production | Andrew Boateng | Production Manager |
| Crew | Claudette Fruchier | Special Effects Technician |
| Production | Randa Ray | Production Coordinator |
| Directing | Simon Haveland | First Assistant Director |
| Lighting | Paul Mark Synnott | Lighting Technician |
| Camera | Jake McClean Walker | First Assistant Camera |
| Editing | Ian Grey | Colorist |
| Costume & Make-Up | Laura Barham | Costume Design |
| Camera | Adam Cameron King | Second Assistant Camera |
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