A strange race of human-like marsupials appear suddenly in Australia, and a sociologist who studies these creatures falls in love with a female one. Is this a dangerous combination?
Unfortunately the movie Howling III: The Marsupials is not yet available on Netflix. Follow us on Facebook to see when Howling III: The Marsupials becomes available on Netflix!
| Directing | Philippe Mora | Director |
| Directing | Stuart Wood | First Assistant Director |
| Production | Stephen MacCagnon | Location Manager |
| Sound | Bob Clayton | Sound Recordist |
| Sound | Sue Mabey | Assistant Sound Editor |
| Editing | April Cooper | Assistant Editor |
| Sound | Catherine Sheehan | Assistant Sound Editor |
| Sound | Lee Smith | Sound Editor |
| Camera | John Lewis | Still Photographer |
| Sound | Michael Bahas | Foley Recordist |
| Sound | John Herron | Sound Mixer |
| Visual Effects | Roger Cowland | Visual Effects |
| Sound | Ron Purvis | Sound Mixer |
| Production | Steven A. Lane | Executive Producer |
| Sound | Les Fiddess | Sound Recordist |
| Sound | Martin Oswin | Sound Mixer |
| Sound | Gerry Nucifora | Boom Operator |
| Crew | Dale Aspin | Stunts |
| Camera | Damon Merryman | Assistant Grip |
| Camera | Peter Terakes | Clapper Loader |
| Directing | Sian Fatouros | Continuity |
| Production | Edward Simons | Executive Producer |
| Crew | Wayne Pleace | Stunts |
| Crew | Max Aspin | Stunt Coordinator |
| Editing | Jerry Cler | Assistant Editor |
| Production | Lionel Midford | Publicist |
| Production | Charles Waterstreet | Producer |
| Directing | John Titley | Second Assistant Director |
| Directing | Adam Spencer | Third Assistant Director |
| Production | Gilda Baracchi | Co-Producer |
| Editing | Noelleen Westcombe | First Assistant Editor |
| Crew | Diane Garcia | Choreographer |
| Production | Philippe Mora | Producer |
| Production | Robert Pringle | Executive Producer |
| Camera | Derry Field | Focus Puller |
| Lighting | Reg Garside | Gaffer |
| Editing | Tony Manning | Color Grading |
| Crew | Robert Simper | Stunts |
| Camera | Paul Thompson | Key Grip |
| Camera | William Yang | Still Photographer |
| Editing | Nicola Wylie | Assistant Editor |
| Production | Tony Hulstrom | Production Accountant |
| Costume & Make-Up | Bob McCarron | Makeup Supervisor |
| Lighting | Robert Verkerk | Best Boy Electric |
| Production | Alan Lake | Post Production Coordinator |
| Production | Rosslyn Abernethy | Production Coordinator |
| Art | Penny Lang | Art Department Coordinator |
| Sound | Noelleen Westcombe | Assistant Sound Editor |
| Costume & Make-Up | Bob McCarron | Makeup Designer |
| Production | Stephen MacCagnon | Unit Manager |
| Costume & Make-Up | Sonja Smuk | Makeup Artist |
| Art | Ross Major | Production Design |
| Writing | Gary Brandner | Novel |
| Costume & Make-Up | Ross Major | Costume Design |
| Sound | Allan Zavod | Original Music Composer |
| Art | Brian Edmonds | Set Decoration |
| Editing | Lee Smith | Editor |
| Writing | Philippe Mora | Screenplay |
| Camera | Louis Irving | Director of Photography |
| Production | Bob McCarron | Associate Producer |
| Crew | Peter Armstrong | Stunts |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!