England, 1645. The cruel civil war between Royalists and Parliamentarians that is ravaging the country causes an era of chaos and legal arbitrariness that allows unscrupulous men to profit by exploiting the absurd superstitions of the peasants; like Matthew Hopkins, a monster disguised as a man who wanders from town to town offering his services as a witch hunter.
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Directing | Michael Reeves | Director |
Writing | Ronald Bassett | Novel |
Crew | Roger Dicken | Special Effects |
Sound | Dennis Lanning | ADR & Dubbing |
Writing | Michael Reeves | Screenplay |
Production | Philip Waddilove | Producer |
Camera | John Coquillon | Director of Photography |
Editing | Howard Lanning | Editor |
Production | Louis M. Heyward | Producer |
Camera | Brian Elvin | Camera Operator |
Camera | Gerry Anstiss | Camera Operator |
Costume & Make-Up | Dorrie Hamilton | Makeup Artist |
Production | Arnold L. Miller | Producer |
Costume & Make-Up | Henry Montsash | Hairstylist |
Art | Jim Morahan | Art Direction |
Lighting | Laurie Shane | Gaffer |
Directing | Lorna Selwyn | Continuity |
Directing | Ian Goddard | Assistant Director |
Production | Tony Tenser | Executive Producer |
Production | Freddie Vale | Casting Director |
Crew | Louis M. Heyward | Additional Writing |
Art | Freddie Harrison | Property Master |
Directing | Iain Lawrence | Assistant Director |
Art | Jimmy James | Set Dresser |
Camera | Freddie Williams | Grip |
Art | Sid Davies | Property Master |
Costume & Make-Up | Jill Thomson | Wardrobe Supervisor |
Camera | Jack Dooley | Still Photographer |
Writing | Tom Baker | Screenplay |
Sound | Paul Le Mare | Sound Recordist |
Production | Ricky Coward | Production Manager |
Sound | Hugh Strain | Sound Mixer |
Sound | Paul Ferris | Original Music Composer |
Production | Euan Person | Location Manager |
Art | Peter Sheilds | Assistant Art Director |
Editing | Marion Curren | Assistant Editor |
Sound | Paul Ferris | Conductor |
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