In London, barrister Anthony Keane takes the case of Maddalena Paradine, a beautiful woman accused of poisoning her blind husband. Though happily married, Keane becomes infatuated with his enigmatic client and convinced of her innocence. His obsession clouds his judgment as he builds a defense implicating her servant, André Latour—an act that leads to devastating consequences both in court and at home.
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| Production | David O. Selznick | Producer |
| Camera | Lee Garmes | Director of Photography |
| Writing | David O. Selznick | Screenplay |
| Writing | Robert Hichens | Novel |
| Directing | Alfred Hitchcock | Director |
| Sound | Franz Waxman | Original Music Composer |
| Editing | Hal C. Kern | Supervising Film Editor |
| Editing | John Faure | Associate Editor |
| Art | Emile Kuri | Set Decoration |
| Costume & Make-Up | Larry Germain | Hairstylist |
| Art | Thomas N. Morahan | Art Direction |
| Sound | James G. Stewart | Sound Director |
| Directing | Lowell J. Farrell | Assistant Director |
| Production | Fred Ahern | Unit Manager |
| Art | J. McMillan Johnson | Production Design |
| Sound | Richard Van Hessen | Sound Recordist |
| Art | Joseph B. Platt | Interior Designer |
| Directing | Lydia Schiller | Script Supervisor |
| Costume & Make-Up | Travis Banton | Costume Design |
| Costume & Make-Up | Frank Beetson Jr. | Wardrobe Supervisor |
| Writing | Alma Reville | Adaptation |
| Crew | James Bridie | Treatment |
| Crew | Clarence Slifer | Special Effects |
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