In 1968 California, a Marine officer's wife falls in love with a former high school classmate who suffered a paralyzing combat injury in the war.
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| Writing | Nancy Dowd | Story |
| Directing | Hal Ashby | Director |
| Writing | Waldo Salt | Screenplay |
| Writing | Robert C. Jones | Screenplay |
| Camera | Haskell Wexler | Director of Photography |
| Production | Spencer Quinn | Location Manager |
| Sound | Pat Suraci | Boom Operator |
| Sound | George Brand | Music Editor |
| Costume & Make-Up | Lynda Gurasich | Hairstylist |
| Camera | Donald E. Thorin | Camera Operator |
| Production | Charles Mulvehill | Production Manager |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Art | George Gaines | Set Decoration |
| Costume & Make-Up | Gary Liddiard | Makeup Artist |
| Sound | Jeff Wexler | Sound Mixer |
| Crew | Michael Maslansky | Unit Publicist |
| Art | Alan Levine | Property Master |
| Directing | Charles Myers | First Assistant Director |
| Sound | Frank E. Warner | Sound Editor |
| Art | James L. Schoppe | Assistant Art Director |
| Camera | Clyde Hart | Key Grip |
| Directing | June Samson | Script Supervisor |
| Directing | Jim Bloom | Second Assistant Director |
| Lighting | Gary H. Holt | Gaffer |
| Production | Jerome Hellman | Producer |
| Production | Lynn Stalmaster | Casting |
| Costume & Make-Up | Ann Roth | Costume Design |
| Editing | Don Zimmerman | Editor |
| Art | Michael D. Haller | Production Design |
| Production | Bruce Gilbert | Associate Producer |
| Camera | Richard A. Mention | Second Assistant Camera |
| Production | Ken Ryan | Production Accountant |
| Sound | Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
| Production | Sally Dennison | Additional Casting |
| Crew | Michael Jacobs | Technical Advisor |
| Camera | Craig Denault | First Assistant Camera |
| Art | Dan Perri | Title Designer |
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