The Herlihys are a working class family from Chicago whose three children take wildly divergent paths: Brian joins the Marines right out of High School and goes to Vietnam, Michael becomes involved in the civil rights movement and after campaigning for Bobby Kennedy and Eugene McCarthy becomes involved in radical politics, and Katie gets pregnant, moves to San Francisco and joins a hippie commune. Meanwhile, the Taylors are an African-American family living in the deep South. When Willie Taylor, a minister and civil rights organizer, is shot to death, his son Emmet moves to the city and eventually joins the Black Panthers, serving as a bodyguard for Fred Hampton.
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Writing | Robert Greenfield | Writer |
Directing | Mark Piznarski | Director |
Writing | Bill Couturié | Writer |
Camera | Jeff Case | Grip |
Camera | Michael Cassidy | First Assistant Camera |
Sound | Tim Chilton | Foley |
Directing | Adell Aldrich | Script Supervisor |
Crew | Will Leong | Utility Stunts |
Crew | Lance Mancuso | Set Medic |
Crew | Melissa Allen-Weiser | Stunts |
Art | Robert 'Cass' McEntee | Construction Coordinator |
Production | George Herthel | Location Manager |
Sound | Dana Millman | Music Supervisor |
Sound | Craig M. Otte | Sound Re-Recording Mixer |
Crew | Minerva Adams | Stunts |
Sound | Bob Costanza | Sound Editor |
Camera | Clinton Dougherty | Camera Operator |
Sound | Kenn Fuller | Sound |
Production | Jim Chory | Producer |
Crew | Robert Aaron Brown | Driver |
Crew | Mitch Toles | Stunts |
Sound | Brian Adler | Original Music Composer |
Crew | Fred Apolito | Prop Maker |
Crew | Jimmy N. Roberts | Stunts |
Art | Laura Christy | Art Department Coordinator |
Directing | Tony Adler | Assistant Director |
Art | Eric Sundahl | Set Designer |
Production | Lynda Obst | Executive Producer |
Costume & Make-Up | Kanani Wolf | Set Costumer |
Camera | Wally Sweeterman | First Assistant Camera |
Production | Candace Suerstedt | Location Manager |
Sound | Gary Coppola | Sound Re-Recording Mixer |
Costume & Make-Up | Steven Mack | Hair Department Head |
Camera | Michael D. O'Shea | Director of Photography |
Production | Mindy Sheldon | Production Accountant |
Sound | Jed Feuer | Original Music Composer |
Art | Vincent Jefferds | Production Design |
Crew | Stanton Barrett | Stunts |
Directing | Catherine Bond | Assistant Director |
Directing | Melanie Grefé | Assistant Director |
Sound | Ken Beauchene | Boom Operator |
Art | Dawn Snyder | Art Direction |
Sound | Jim Henrikson | Music Editor |
Production | Judith Pritchard | Production Coordinator |
Lighting | Mike Weathers | Lighting Technician |
Crew | Mindy Miller | Stand In |
Art | Amy Reiner | Art Department Assistant |
Lighting | Glen Magers | Lighting Technician |
Art | Ellen Totleben | Set Decoration |
Sound | Mark Allen | Sound Effects Editor |
Crew | Shane Dixon | Stunt Coordinator |
Crew | Charlie Brewer | Stunts |
Costume & Make-Up | Mary-Anne Aston | Costume Supervisor |
Production | Jake Jacobson | Unit Production Manager |
Editing | Clay Rawlins | Assistant Editor |
Camera | Michael A. Chavez | Camera Operator |
Production | Molly Lopata | Casting |
Crew | Jennifer Caputo | Stunts |
Costume & Make-Up | Florence-Isabelle Megginson | Costume Design |
Camera | Sean J. O'Shea | First Assistant Camera |
Production | Lee J. Bognar | Location Manager |
Crew | Ron Petruccione | Special Effects |
Costume & Make-Up | Michele Teleis-Fickle | Makeup Artist |
Crew | Kenneth Raich | Post Production Supervisor |
Crew | Fred Toye | Visual Effects Editor |
Writing | Jeffrey Alan Fiskin | Teleplay |
Editing | Gordon Antell | Assistant Editor |
Editing | Robert Frazen | Editor |
Costume & Make-Up | June Brickman | Makeup Artist |
Art | Denise Pizzini | Set Decoration |
Visual Effects | Dennis Petersen | Special Effects Supervisor |
Sound | Dennis Fuller | Boom Operator |
Art | Peter C. Clarke | Property Master |
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