Riyo, an orphaned 17-year old, sails from Yokohama to Hawaii in 1918 to marry Matsuji, a man she has never met. Hoping to escape a troubled past and start anew, Riyo is bitterly disappointed upon her arrival: her husband is twice her age. The miserable girl finds solace with her new friend Kana, a young mother who helps Riyo accept her new life.
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| Directing | Kayo Hatta | Director |
| Costume & Make-Up | Ada Akaji | Costume Design |
| Art | Paul Guncheon | Production Design |
| Editing | Lynzee Klingman | Editor |
| Editing | Mallory Gottlieb | Editor |
| Camera | Claudio Rocha | Director of Photography |
| Production | Eleanor R. Nakama | Associate Producer |
| Production | Nina Blake | Associate Producer |
| Production | Paul Mayersohn | Co-Executive Producer |
| Writing | Kayo Hatta | Story |
| Writing | Mari Hatta | Story |
| Writing | Diane Mei Lin Mark | Story |
| Writing | Kayo Hatta | Screenplay |
| Writing | Mari Hatta | Screenplay |
| Production | Diane Mei Lin Mark | Executive Producer |
| Production | Lisa Onodera | Producer |
| Production | Anna Fishburn | Casting |
| Production | Yumi Takada | Casting |
| Production | Dana Satler Hankins | Line Producer |
| Production | Marilyn Carrera Killeri | Production Coordinator |
| Art | Renee Confair | Location Scout |
| Directing | Summer Banner | Script Supervisor |
| Directing | Angela Robinson | Script Supervisor |
| Directing | Janet Holman | Script Supervisor |
| Directing | Irish Barber | Script Supervisor |
| Camera | Mike Weisbrod | First Assistant Camera |
| Sound | Susan Moore-Chong | Sound Mixer |
| Sound | John Reynolds | Boom Operator |
| Art | Shell Dalzell | Construction Coordinator |
| Costume & Make-Up | Bryan D. Furer | Makeup Department Head |
| Costume & Make-Up | Newton Koshi | Hair Department Head |
| Costume & Make-Up | Cindy Stratt | Makeup Artist |
| Costume & Make-Up | Chantal Boom'la | Hairstylist |
| Costume & Make-Up | Michael Pacciorini | Assistant Costume Designer |
| Camera | Irish Barber | Grip |
| Camera | Kolo Barber | Grip |
| Lighting | Bob Johnson | Gaffer |
| Lighting | Dave Sullivan | Gaffer |
| Crew | Mary F. Jansen | Post Production Supervisor |
| Editing | Lois Freeman-Fox | Additional Editing |
| Editing | Robert Komatsu | First Assistant Editor |
| Editing | Gordon Antell | First Assistant Editor |
| Sound | Joanie Diener | Music Editor |
| Sound | Jonathan Miller | Sound Designer |
| Crew | Jake Eberle | Sound Design Assistant |
| Crew | Colin C.L. Fong | Stunt Coordinator |
| Crew | Archie Ahuna | Special Effects |
| Crew | Mike van Arkel | Special Effects |
| Crew | Francis Badzey | Post Production Assistant |
| Crew | Bruce Westcott | Post Production Assistant |
| Crew | Karen Kodner | Unit Publicist |
| Crew | Yuki Sakamura | Unit Publicist |
| Editing | Ray Morfino | Color Timer |
| Sound | Gwendolyn Yates Whittle | Dialogue Editor |
| Sound | Barbara McBane | Dialogue Editor |
| Sound | Hugh Waddell | Dialogue Editor |
| Art | Leslie Craig | Property Master |
| Sound | Mark Adler | Original Music Composer |
| Sound | Marilyn McCoppen | ADR Editor |
| Art | Dan Perri | Title Designer |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
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