A sergeant; stationed in Arlington, Virginia in the late 1960s; must deal with his desires to save the lives of young soldiers being sent to Vietnam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old army buddy.
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| Writing | Ronald Bass | Screenplay |
| Writing | Nicholas Proffitt | Novel |
| Directing | Francis Ford Coppola | Director |
| Sound | Carmine Coppola | Original Music Composer |
| Editing | Barry Malkin | Editor |
| Camera | Jordan Cronenweth | Director of Photography |
| Production | Francis Ford Coppola | Producer |
| Production | David Valdes | Co-Executive Producer |
| Crew | George Fisher | Stunts |
| Production | Jay Emmett | Executive Producer |
| Production | Fred Roos | Executive Producer |
| Art | Alex Tavoularis | Art Direction |
| Production | Michael I. Levy | Producer |
| Production | Stan Weston | Executive Producer |
| Crew | Buddy Joe Hooker | Stunt Coordinator |
| Costume & Make-Up | Willa Kim | Costume Design |
| Art | Dean Tavoularis | Production Design |
| Crew | David Burton | Stunts |
| Crew | Brad Bovee | Stunts |
| Crew | Chad Randall | Stunts |
| Crew | Phil H. Fravel | Stunts |
| Art | Gary Fettis | Set Decoration |
| Costume & Make-Up | Judianna Makovsky | Costume Design |
| Crew | Jeffrey J. Dashnaw | Stunts |
| Production | David V. Lester | Unit Production Manager |
| Directing | David Valdes | First Assistant Director |
| Directing | Tena Psyche Yatroussis | Second Assistant Director |
| Production | Janet Hirshenson | Casting |
| Production | Jane Jenkins | Casting |
| Production | Bonnie Timmermann | Casting |
| Production | Teri Fettis-D'Ovidio | Production Coordinator |
| Directing | Daniel R. Suhart | Second Second Assistant Director |
| Camera | Dan Lerner | Camera Operator |
| Camera | Bing Sokolsky | First Assistant Camera |
| Camera | Bobby Brown | First Assistant Camera |
| Camera | Jeff Cronenweth | Second Assistant Camera |
| Camera | Jürgen Vollmer | Still Photographer |
| Editing | John Gilroy | Assistant Editor |
| Editing | Debra Bard | First Assistant Editor |
| Sound | Richard Beggs | Sound Designer |
| Sound | Gloria S. Borders | Supervising Sound Editor |
| Sound | Ronald Jacobs | Dialogue Editor |
| Sound | Tom Bellfort | ADR Editor |
| Sound | Louise Rubacky | ADR Editor |
| Sound | Richard Hymns | Sound Effects Editor |
| Sound | Tim Holland | Sound Effects Editor |
| Sound | Jim Weidman | Music Editor |
| Sound | Robert Shoup | Foley Editor |
| Sound | Marian Wilde | Foley Editor |
| Sound | Dennie Thorpe | Foley Artist |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Sound | Randy Thom | Sound Re-Recording Mixer |
| Sound | Thomas Causey | Sound Mixer |
| Sound | Joseph F. Brennan | Boom Operator |
| Lighting | Gary Holt | Gaffer |
| Lighting | Thomas A. Barone | Best Boy Electric |
| Camera | Billy Beaird | Key Grip |
| Camera | Sheldon Ehrlich | Best Boy Grip |
| Camera | Rodney Veto | Dolly Grip |
| Art | Douglas T. Madison | Property Master |
| Visual Effects | John Frazier | Special Effects Supervisor |
| Costume & Make-Up | Marilyn Matthews | Costume Supervisor |
| Costume & Make-Up | John Napolitano | Costume Supervisor |
| Costume & Make-Up | Monty Westmore | Makeup Artist |
| Costume & Make-Up | Bernadette Mazur | Makeup Artist |
| Costume & Make-Up | Brad Wilder | Makeup Artist |
| Costume & Make-Up | Philip Leto | Hairstylist |
| Costume & Make-Up | Anthony Cortino | Hairstylist |
| Production | Eric Young | Location Manager |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
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