Chinatown, San Francisco, 1928. Former private detective Dashiell Hammett, a compulsive drinker with tuberculosis who writes pulp fiction for a living, receives an unexpected visit from an old friend asking for help.
Unfortunately the movie Hammett is not yet available on Netflix. Follow us on Facebook to see when Hammett becomes available on Netflix!
Directing | Wim Wenders | Director |
Sound | Bob Johnston | Sound Editor |
Art | Leon Ericksen | Art Direction |
Sound | Wylie Stateman | Sound Editor |
Editing | Janice Hampton | Editor |
Costume & Make-Up | Ruth Morley | Costume Design |
Sound | John Duffy | Sound Editor |
Writing | Dennis O'Flaherty | Screenplay |
Writing | Ross Thomas | Screenplay |
Sound | Richard Bryce Goodman | Sound Mixer |
Sound | Andrew London | Supervising Sound Editor |
Costume & Make-Up | Mary Keats | Hairstylist |
Production | Don Guest | Producer |
Camera | Joseph F. Biroc | Director of Photography |
Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
Sound | Randy Kelley | Sound Editor |
Production | Ronald Colby | Producer |
Art | Dean Tavoularis | Production Design |
Art | George R. Nelson | Set Decoration |
Costume & Make-Up | Kathryn Blondell | Hairstylist |
Editing | Marc Laub | Editor |
Production | Fred Roos | Producer |
Art | Steven Potter | Set Decoration |
Sound | James E. Webb | Sound Editor |
Editing | Robert Q. Lovett | Editor |
Art | Angelo P. Graham | Art Direction |
Production | Francis Ford Coppola | Executive Producer |
Editing | Randy Roberts | Editor |
Costume & Make-Up | Jeff Angell | Makeup Artist |
Costume & Make-Up | Thomas Tuttle | Makeup Artist |
Sound | James E. Webb | Sound Mixer |
Sound | Jill Demby Guest | Dialogue Editor |
Lighting | Robert Woodside | Gaffer |
Camera | Jack Harris | Still Photographer |
Art | Gary Fettis | Leadman |
Art | Robert C. Goldstein | Set Designer |
Directing | Joanie Blum | Script Supervisor |
Production | Teri Fettis-D'Ovidio | Production Coordinator |
Production | Robert Huddleston | Unit Production Manager |
Sound | Chris McLaughlin | Boom Operator |
Sound | Darcy Vebber | Boom Operator |
Production | Jane Jenkins | Casting |
Sound | Robert Q. Lovett | Music Editor |
Camera | Morgan Renard | Still Photographer |
Production | Janet Hirshenson | Casting |
Editing | Barry Malkin | Supervising Editor |
Directing | David Valdes | Second Assistant Director |
Production | Ronald Colby | Unit Production Manager |
Directing | Arne Schmidt | First Assistant Director |
Art | James J. Murakami | Set Designer |
Production | Barbara Johnson | Casting |
Writing | Joe Gores | Novel |
Art | Alex Tavoularis | Graphic Designer |
Camera | Carl Manoogian | Key Grip |
Art | Tom Shaw Jr. | Property Master |
Crew | Joe Lombardi | Special Effects |
Crew | Terry Leonard | Stunt Coordinator |
Sound | Vince Melandri | Dialogue Editor |
Camera | Bill Johnson | Camera Operator |
Camera | Philip H. Lathrop | Additional Photography |
Art | Douglas E. Madison | Property Master |
Writing | Thomas Pope | Adaptation |
Directing | Daniel Attias | Second Assistant Director |
Camera | Frederic J. Smith | Camera Operator |
Lighting | Larry Gilhooly | Gaffer |
Sound | John Barry | Original Music Composer |
Directing | Ronald Colby | First Assistant Director |
Art | Dennis Gassner | Graphic Designer |
Camera | Pete G. Papanickolas | Key Grip |
Directing | Lloyd Nelson | Script Supervisor |
Crew | Howard Jensen | Special Effects |
Production | Mona Skager | Associate Producer |
Costume & Make-Up | April Ferry | Costumer |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!