Mobster "Baby Face" Martin returns home to visit the New York neighborhood where he grew up, dropping in on his mother, who rejects him because of his gangster lifestyle, and his old girlfriend, Francey, now a syphilitic prostitute. Martin also crosses paths with Dave, a childhood friend struggling to make it as an architect, and the Dead End Kids, a gang of young boys roaming the streets of the city's East Side slums.
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Directing | William Wyler | Director |
Writing | Lillian Hellman | Screenplay |
Writing | Sidney Kingsley | Theatre Play |
Editing | Daniel Mandell | Editor |
Art | Julia Heron | Set Decoration |
Production | Samuel Goldwyn | Producer |
Art | Richard Day | Art Direction |
Costume & Make-Up | Omar Kiam | Costume Design |
Crew | James Basevi | Special Effects |
Camera | Gregg Toland | Director of Photography |
Sound | Alfred Newman | Original Music Composer |
Production | Merritt Hulburd | Associate Producer |
Sound | Alfred Newman | Music Director |
Sound | Edward B. Powell | Orchestrator |
Directing | Edmond F. Bernoudy | Assistant Director |
Sound | Frank Maher | Sound Recordist |
Crew | Fred Graham | Stunts |
Crew | Samuel Goldwyn | Presenter |
Writing | Frank P. Goodnow | Dialogue |
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