A doctor and a mortician have teamed up to do re-animation experiments on corpses using gangster money loaned for "remodeling." When they can't pay it back, the Mafia guy sends his nephews to work at the funeral home to keep a watch on the debtors, but the nephews end up helping in the search for new bodies, and mayhem ensues when some undesirable types are re-animated.
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| Directing | Jonathan Mostow | Director |
| Camera | Zoran Hochstätter | Director of Photography |
| Writing | Jonathan Mostow | Story |
| Writing | P.K. Simonds | Story |
| Production | P.K. Simonds | Producer |
| Production | Susan Stremple | Co-Producer |
| Production | Jonathan Mostow | Producer |
| Production | Kevin M. Kallberg | Executive Producer |
| Production | Oliver G. Hess | Executive Producer |
| Production | Kurt Eggert | Associate Producer |
| Production | Margaret Breitenstein | Associate Producer |
| Sound | Arthur Barrow | Original Music Composer |
| Editing | Barry Zetlin | Editor |
| Production | Sharon Nederlander | Casting Director |
| Production | Lee Anna McConnell | Production Designer |
| Art | Greg Benge | Set Decoration |
| Costume & Make-Up | Erin Koplow | Makeup Department Head |
| Production | Susan Stremple | Production Manager |
| Directing | Ken Fischer | Second Second Assistant Director |
| Directing | Kristine Peterson | Assistant Director |
| Art | Phillip D. Hirsch | Leadman |
| Sound | Doug Reed | Foley Artist |
| Sound | Don Sanders | Sound |
| Camera | Ron Bahara | First Assistant Camera |
| Camera | Stephen Ashley Blake | Director of Photography |
| Camera | John Frederick Bryant | Grip |
| Camera | Bob Myers | Key Grip |
| Camera | Michael C. Price | Grip |
| Production | Samuel Braslau | Location Manager |
| Sound | Blake Martin Moulin | Assistant Music Supervisor |
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