Originally bound for Harvard, Jeff joins the family detective business to save his mother and sister from eviction. He learns the ropes quickly when a gangster hires him to find out if his bombshell fiancee is two-timing him. Shadowing her every movement - and eyeing her every curve - Jeff lands in real hot water, not to mention a hot shower, when thugs kidnap her lover and try to get him. Now they're both on the run - from the mob, from the police (who might be working with the mob), and from his mother (who might pose the biggest danger of them all)!
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| Camera | Harvey Genkins | Director of Photography |
| Production | Joseph Manduke | Producer |
| Costume & Make-Up | Ron Talsky | Costume Design |
| Directing | Joseph Manduke | Director |
| Art | Batia Grafka | Production Design |
| Editing | Richard G. Haines | Editor |
| Production | Victor Bardack | Executive Producer |
| Production | Ann Remsen Manners | Casting |
| Production | Larry Kostroff | Co-Producer |
| Production | Barbara Dodd | Casting |
| Sound | Peter Matz | Original Music Composer |
| Writing | Victor Bardack | Screenplay |
| Crew | Spiro Razatos | Stunt Coordinator |
| Crew | Mike Tillman | Stunts |
| Production | Mark Evans | Executive In Charge Of Production |
| Production | Steve Fuji | Casting Assistant |
| Camera | Gary Bonchek | Key Grip |
| Sound | Robert Thirlwell | Sound Re-Recording Mixer |
| Crew | Michael Runyard | Stunts |
| Directing | Sandra M. Middleton | Second Assistant Director |
| Camera | Paul Edwards | Camera Operator |
| Art | César Díez Álava | Property Master |
| Sound | Robert W. Glass Jr. | Sound Re-Recording Mixer |
| Costume & Make-Up | Sher Flowers | Makeup Artist |
| Camera | Michael Sapp-Chun | Dolly Grip |
| Sound | Larry Owens | Sound Effects Editor |
| Costume & Make-Up | Diane Crooke | Costume Supervisor |
| Costume & Make-Up | De'Ann Power | Hairstylist |
| Crew | Russel Hessey | Special Effects |
| Crew | Gregory J. Barnett | Stunts |
| Crew | Dane Farwell | Stunts |
| Crew | Karen Price | Stunts |
| Crew | Walter Robles | Stunts |
| Sound | David Yaffe | Boom Operator |
| Sound | Mike Darling | Sound Assistant |
| Crew | Tom Sarmento | Stunts |
| Crew | Zoe Mauries | Stunts |
| Camera | Marie Pedersen | First Assistant Camera |
| Lighting | Patric J. Abaravich | Chief Lighting Technician |
| Sound | Larry Owens | ADR Recordist |
| Crew | Corey Michael Eubanks | Stunts |
| Crew | Ernie F. Orsatti | Stunts |
| Sound | Allan K. Rosen | Music Editor |
| Costume & Make-Up | Deborah Rego | Assistant Makeup Artist |
| Production | Nancy Lazarus | Assistant Location Manager |
| Crew | Buzz Bundy | Stunts |
| Crew | David M. Graves | Stunts |
| Crew | Bill McIntosh | Stunts |
| Directing | Jim Behnke | First Assistant Director |
| Editing | Robert M. Ross | Additional Editing |
| Camera | Michael Ansell | Still Photographer |
| Camera | Kelly Elder McGowen | Second Assistant Camera |
| Production | Jean Urban | Production Coordinator |
| Directing | Helen Pinkston | Script Supervisor |
| Art | Jonathan Smart | Leadman |
| Directing | Michael Winter | Second Assistant Director |
| Art | Don Diers | Set Decoration |
| Production | Richard Powell Jr. | Location Manager |
| Production | Larry Kostroff | Production Manager |
| Costume & Make-Up | Jacklin Masteran | Assistant Makeup Artist |
| Sound | Garry K. Cunningham | Sound Mixer |
| Sound | Norval D. Crutcher III | Sound Effects Editor |
| Camera | Stephen Robb Bradshaw | Clapper Loader |
| Camera | Jene Youit | Best Boy Grip |
| Production | Sally Perle | Extras Casting |
| Sound | Norval D. Crutcher | Supervising Sound Editor |
| Sound | Tom Gunn | Sound Effects Editor |
