Quiet, organised Dr Talbot meets nightclub singer Nora Prentiss when she is slightly hurt in a street accident. Despite her misgivings they become heavily involved and Talbot finds he is faced with the choice of leaving Nora or divorcing his wife. When a patient expires in his office, a third option seems to present itself.
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| Camera | James Wong Howe | Director of Photography |
| Directing | Vincent Sherman | Director |
| Art | Anton Grot | Art Direction |
| Costume & Make-Up | Travilla | Costume Design |
| Costume & Make-Up | Perc Westmore | Makeup Artist |
| Art | Walter F. Tilford | Set Decoration |
| Crew | Harry Barndollar | Special Effects |
| Production | William Jacobs | Producer |
| Production | Jack L. Warner | Producer |
| Directing | James McMahon | Assistant Director |
| Crew | Edwin B. DuPar | Special Effects |
| Writing | Jack Sobell | Story |
| Editing | Owen Marks | Editor |
| Sound | Charles Lang | Sound |
| Writing | Paul Webster | Story |
| Sound | Franz Waxman | Original Music Composer |
| Writing | N. Richard Nash | Screenplay |
| Crew | James Leicester | Visual Effects Editor |
| Sound | Leo F. Forbstein | Music Director |
| Sound | Leonid Raab | Orchestrator |
| Sound | Eddie Cherkose | Songs |
| Sound | M.K. Jerome | Songs |
| Writing | Jack Scholl | Lyricist |
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