High school seniors and best friends, Sonny and Duane, live in a dying Texas town. The handsome Duane is dating a local beauty, while Sonny is having an affair with the coach's wife. As graduation nears and both boys contemplate their futures, Duane eyes the army and Sonny takes over a local business. Each struggles to figure out if he can escape this dead-end town and build a better life somewhere else.
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Writing | Larry McMurtry | Screenplay |
Directing | Peter Bogdanovich | Director |
Production | Ross Brown | Casting |
Writing | Larry McMurtry | Novel |
Costume & Make-Up | Polly Platt | Costume Design |
Art | Polly Platt | Production Design |
Editing | Donn Cambern | Editor |
Writing | Peter Bogdanovich | Screenplay |
Art | Walter Scott Herndon | Art Direction |
Editing | Peter Bogdanovich | Editor |
Camera | Robert Surtees | Director of Photography |
Production | Bert Schneider | Executive Producer |
Production | Harold Schneider | Associate Producer |
Production | Bob Rafelson | Producer |
Production | Frank Marshall | Location Manager |
Production | Stephen J. Friedman | Producer |
Art | Ed Shanley | Construction Coordinator |
Camera | Terry K. Meade | Camera Operator |
Art | Vincent M. Cresciman | Assistant Production Design |
Production | Don Guest | Unit Production Manager |
Directing | Robert Rubin | Assistant Director |
Production | Marilyn La Salandra | Production Coordinator |
Directing | William A. Morrison | Second Assistant Director |
Directing | Marshall Schlom | Script Supervisor |
Art | Al Litteken | Construction Coordinator |
Camera | Carl Manoogian | Key Grip |
Camera | Leonard Lookabaugh | Dolly Grip |
Lighting | Alan Goldenhar | Gaffer |
Sound | Tom Overton | Sound Mixer |
Sound | Dean Salmon | Boom Operator |
Art | George Lillie | Painter |
Production | Elly Mitchell | Production Secretary |
Production | Mae Woods | Production Assistant |
Costume & Make-Up | Mickey Sherrard | Wardrobe Coordinator |
Costume & Make-Up | Nancy McArdle | Wardrobe Coordinator |
Art | Walter Starkey | Props |
Art | Louis Donelan | Props |
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