A biology professor, Adam enters a hospital for observation. He is a loner and a serious-minded man, who dislikes any display of emotions. He spends three months in the hospital while being tested. After observing patients and hospital routines around him from a distance, he learns that he will need a kidney transplant. Meanwhile his personal and professional life is falling apart: he refuses his wife's offer to donate the kidney for him; the scientific problem he was working on has been solved elsewhere. In the end Adam cracks under the prolonged pressure, waiting for the sound of an ambulance bringing a moribund patient whose kidney may be used for the transplant.
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| Camera | Jan Hesse | Director of Photography |
| Directing | Edward Żebrowski | Director |
| Writing | Edward Żebrowski | Screenplay |
| Editing | Urszula Śliwińska | Editor |
| Sound | Małgorzata Jaworska | Sound |
| Sound | Andrzej Korzyński | Music |
| Art | Adam T. Nowakowski | Production Design |
| Production | Włodzimierz Śliwiński | Production Manager |
| Directing | Wojciech Wójcik | First Assistant Director |
| Directing | Joanna Krauze | Assistant Director |
| Camera | Zbigniew Hartwig | Camera Operator |
| Camera | Jan Ossowski | Assistant Camera |
| Camera | Jerzy Tomczuk | Assistant Camera |
| Art | Teresa Gałkowska-Lesman | Set Decoration |
| Costume & Make-Up | Ewa Braun | Costume Design |
| Sound | Andrzej Sadowski | Sound Assistant |
| Editing | Łucja Ośko | Assistant Editor |
| Costume & Make-Up | Maria Papińska | Makeup Artist |
| Costume & Make-Up | Krystyna Leszczyńska | Assistant Makeup Artist |
| Production | Marek Dąbrowski | Production Consultant |
| Production | Zygmunt Filipowicz | Production Consultant |
| Art | Stanisław Różewicz | Supervising Art Director |
| Production | Roman Kowalski | Assistant Production Manager |
| Production | Pawel Mann | Assistant Production Manager |
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