Depressed and jaded after being dumped by her married boyfriend, aging beauty Minnie Moore wonders if she'll ever find love. After shaggy-haired parking lot attendant Seymour Moskowitz comes to her defense from an angry and rebuffed blind date, he falls hopelessly in love with her despite their myriad differences. Minnie reluctantly agrees to a date with Moskowitz, and, slowly but surely, an unlikely romance blossoms between the two.
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| Directing | John Cassavetes | Director |
| Writing | John Cassavetes | Writer |
| Costume & Make-Up | Helen Colvig | Costume Design |
| Directing | Louis A. Stroller | Assistant Director |
| Camera | Thomas Laughridge | Camera Operator |
| Production | Elaine Kagan | Producer's Assistant |
| Camera | Donald E. Thorin | Camera Operator |
| Sound | Bo Harwood | Music Supervisor |
| Crew | Robert Heffernan | Post Production Supervisor |
| Costume & Make-Up | Jules Melillo | Costumer |
| Directing | Dalonne Jackson | Script Supervisor |
| Camera | Charles Correll | First Assistant Camera |
| Directing | Kevin Donnelly | Assistant Director |
| Production | Paul Donnelly | Associate Producer |
| Art | Victor E. Petrotta Sr. | Property Master |
| Sound | Melvin M. Metcalfe Sr. | Sound |
| Camera | Lou Barlia | Camera Operator |
| Lighting | Norman Neil Cassaday | Gaffer |
| Production | James Joyce | Producer's Assistant |
| Camera | Lou Farkas | First Assistant Camera |
| Camera | Alric Edens | Director of Photography |
| Camera | Michael D. Margulies | Director of Photography |
| Editing | Frederic L. Knudtson | Editor |
| Camera | Arthur J. Ornitz | Director of Photography |
| Production | Al Ruban | Producer |
| Sound | Martin Scorsese | Sound Effects Editor |
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