Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family's children. "Bicentennial Man" follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don't have an ordinary robot.
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Camera | Phil Meheux | Director of Photography |
Art | Anne Kuljian | Set Decoration |
Art | Norman Reynolds | Production Design |
Writing | Nicholas Kazan | Screenplay |
Directing | Chris Columbus | Director |
Sound | James Horner | Original Music Composer |
Editing | Neil Travis | Editor |
Editing | Nicolas De Toth | Editor |
Art | Matsune Suzuki | Conceptual Design |
Visual Effects | Merrick Rustia | Animation |
Writing | Isaac Asimov | Novel |
Production | Paula DuPré Pesmen | Associate Producer |
Production | Mark Radcliffe | Producer |
Costume & Make-Up | Joseph G. Aulisi | Costume Design |
Production | Dan Kolsrud | Executive Producer |
Production | Michael Barnathan | Producer |
Production | Janet Hirshenson | Casting |
Art | Mark W. Mansbridge | Art Direction |
Production | Neal Miller | Producer |
Art | Bruton Jones | Art Direction |
Production | Chris Columbus | Producer |
Production | Laurence Mark | Producer |
Production | Jane Jenkins | Casting |
Production | Gail Katz | Producer |
Art | William Hiney | Art Direction |
Writing | Robert Silverberg | Novel |
Production | Wolfgang Petersen | Producer |
Art | Tory Belleci | Props |
Costume & Make-Up | Gary Archer | Prosthetics |
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