A housewife's sudden rise to fame as a soap spokesperson leads to chaos in her home life.
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Writing | Larry Gelbart | Story |
Writing | Carl Reiner | Screenplay |
Directing | Norman Jewison | Director |
Writing | Carl Reiner | Story |
Production | Ross Hunter | Producer |
Camera | Russell Metty | Director of Photography |
Editing | Milton Carruth | Editor |
Lighting | Max Nippell | Gaffer |
Camera | Charles Cowie | Grip |
Camera | Rollie Lane | Still Photographer |
Costume & Make-Up | Jean Louis | Costume Design |
Production | Martin Melcher | Producer |
Sound | Frank De Vol | Music |
Art | Robert F. Boyle | Art Direction |
Art | Alexander Golitzen | Art Direction |
Art | Howard Bristol | Set Decoration |
Costume & Make-Up | Emma M. diVittorio | Hairstylist |
Costume & Make-Up | Larry Germain | Hairstylist |
Costume & Make-Up | Bud Westmore | Makeup Artist |
Production | Norman Deming | Unit Production Manager |
Production | Edward Muhl | Executive In Charge Of Production |
Directing | Carl Beringer | Assistant Director |
Directing | Phil Bowles | Assistant Director |
Art | Phil Haley | Props |
Art | Solly Martino | Props |
Sound | Glenn E. Anderson | Sound |
Sound | Donald Cunliffe | Sound |
Sound | Victor Goode | Sound |
Sound | William Russell | Sound |
Sound | Waldon O. Watson | Sound |
Camera | Ledge Haddow | Assistant Camera |
Camera | Virgil Proctor | Best Boy Grip |
Camera | Eddie Pyle | Camera Operator |
Camera | Kenneth Smith | Grip |
Editing | Richard Bracken | Assistant Editor |
Sound | Joseph Gershenson | Music Supervisor |
Directing | Teresa Brachetto | Script Supervisor |
Crew | Don Morgan | Unit Publicist |
Crew | Norman Stuart | Dialogue Coach |
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