The memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies and Doña Lilia Ortega, his mother, an actress. Fernando came out as a transvestite, some years ago, and now calls himself Coral Bonelli. They live together in Garibaldi yearning for their past in the movies, while Coral bravely comes to terms with her gender identity. They both still perform.
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| Camera | Mario Guerrero | Director of Photography |
| Sound | Alejandro Zuno | Sound |
| Sound | Armando Narváez | Sound |
| Directing | Roberto Fiesco | Director |
| Writing | Roberto Fiesco | Screenplay |
| Writing | Julián Hernández | Screenplay |
| Editing | Jacobo Hernández | Editor |
| Editing | Emiliano Arenales Osorio | Editorial Manager |
| Production | Hugo Espinosa | Producer |
| Sound | Omar Juárez | Sound Designer |
| Art | Jesús Torres Torres | Art Direction |
| Camera | Jesús Torres Torres | Still Photographer |
| Costume & Make-Up | Laura García de la Mora | Costume Design |
| Camera | Alejandro Cantú | Additional Photography |
| Crew | Armando Casas | Production Intern |
| Production | Iliana Reyes | Production Manager |
| Crew | Víctor Velázquez | Post-Production Manager |
| Crew | Yadira Ávalos | Post Production Assistant |
| Camera | Juan Carlos Carrasco | Additional Photography |
| Crew | Jesús Jiménez | Video Assist Operator |
| Costume & Make-Up | Carlos Merino | Makeup Artist |
| Costume & Make-Up | Maripaz Robles | Makeup Artist |
| Visual Effects | Fabián García | Color Designer |
| Production | Ernesto Martínez Arévalo | Producer |
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