Fired from his job, a former executive turns to impregnating wealthy lesbians for profit.
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| Directing | Spike Lee | Director |
| Writing | Michael Genet | Screenplay |
| Writing | Spike Lee | Screenplay |
| Writing | Michael Genet | Story |
| Production | Spike Lee | Producer |
| Production | Preston L. Holmes | Producer |
| Production | Fernando Sulichin | Producer |
| Costume & Make-Up | Donna Berwick | Costume Design |
| Editing | Barry Alexander Brown | Editor |
| Art | Brigitte Broch | Production Design |
| Camera | Matthew Libatique | Director of Photography |
| Production | Craig M. Spitzer | Co-Producer |
| Sound | Terence Blanchard | Original Music Composer |
| Camera | Lamont Crawford | Key Grip |
| Directing | Mike Ellis | First Assistant Director |
| Art | Richard Hebrank | Construction Coordinator |
| Costume & Make-Up | Anita Gibson | Key Makeup Artist |
| Sound | Todd Bozung | Music Supervisor |
| Production | Jamel Debbouze | Executive Producer |
| Production | Jean Cazes | Executive Producer |
| Sound | Ken Ishii | Sound Mixer |
| Costume & Make-Up | Leonard Drake | Key Hair Stylist |
| Visual Effects | Randall Balsmeyer | Visual Effects Supervisor |
| Sound | Philip Stockton | Supervising Sound Editor |
| Art | Kevin Ladson | Property Master |
| Production | Hakim Quest | Post Production Coordinator |
| Production | David Pomier | Unit Production Manager |
| Visual Effects | Kathy Kelehan | Visual Effects Producer |
| Lighting | John G. Velez | Gaffer |
| Production | Colin Cumberbatch | Production Supervisor |
| Art | Ford Wheeler | Set Decoration |
| Production | Tom Yeager | Location Manager |
| Directing | Tracey Hinds | Second Assistant Director |
| Visual Effects | Diane Pearlman | Animation |
| Sound | Karl Wasserman | Boom Operator |
| Production | Léonard Glowinski | Executive Producer |
| Directing | Michael A. Pinckney | Second Second Assistant Director |
| Directing | Julia Morgan | Additional Second Assistant Director |
| Art | Sarah Frank | Art Direction |
| Directing | Shari L. Carpenter | Script Supervisor |
| Camera | Diego Quemada-Díez | Camera Operator |
| Camera | Ricardo Sarmiento | Camera Operator |
| Camera | David Lee | Still Photographer |
| Production | Judith Aley | Researcher |
| Crew | Steve Kirshoff | Special Effects Coordinator |
| Costume & Make-Up | Darlene Jackson | Wardrobe Supervisor |
| Costume & Make-Up | Paul A. Simmons Jr. | Wardrobe Supervisor |
| Costume & Make-Up | Yvens DeThelismond | Set Costumer |
| Production | Léonard Glowinski | Executive In Charge Of Production |
| Production | Caroline Cochaux | Executive In Charge Of Production |
| Camera | Aurelia Winborn | First Assistant Camera |
| Camera | Kris Enos | Second Assistant Camera |
| Camera | Geb Byers | First Assistant Camera |
| Camera | Christian Carmody | Second Assistant Camera |
| Production | Kim Taylor-Coleman | Casting |
| Crew | Jeff Ward | Stunt Coordinator |
| Crew | John P. 'Jack' McLaughlin | Stunt Driver |
| Crew | Steve Mack | Stunt Driver |
| Crew | Cort Hessler | Stunt Driver |
| Art | Daniel Fisher | Set Dresser |
| Costume & Make-Up | Francesca Buccellato | Makeup Artist |
| Costume & Make-Up | Joseph A. Campayno | Makeup Artist |
| Costume & Make-Up | Carole Barone | Makeup Artist |
| Costume & Make-Up | Jeffrey Rebelo | Hairstylist |
| Sound | Larry Wineland | Sound Effects Editor |
| Sound | Eugene Gearty | Sound Effects Editor |
| Sound | Frank Kern | Foley Supervisor |
| Sound | Steven Visscher | Foley Editor |
| Sound | Jamie Baker | Foley Recordist |
| Sound | George A. Lara | Foley Recordist |
| Sound | Jay Peck | Foley Artist |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Terence Blanchard | Orchestrator |
| Sound | Terence Blanchard | Conductor |
| Sound | Terence Blanchard | Musician |
| Crew | David Byrne | Thanks |
| Crew | Francis Ford Coppola | Thanks |
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