Annie Wilson, young widow and mother of three, makes her living foretelling others' futures—though her own has become cloudier than even she can see. Threatened by a client's violent husband and plagued by visions of a missing local woman, Annie finds herself pulled into a thicket of lies and deception in which her extraordinary gift may ultimately get her killed.
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Sound | Christopher Young | Original Music Composer |
Production | Gregory Goodman | Executive Producer |
Writing | Billy Bob Thornton | Screenplay |
Editing | Bob Murawski | Editor |
Directing | Sam Raimi | Director |
Production | Tom Rosenberg | Producer |
Production | Gary Lucchesi | Producer |
Production | Grant Curtis | Producer |
Production | Robert Tapert | Executive Producer |
Writing | Tom Epperson | Screenplay |
Production | James Jacks | Producer |
Camera | Jamie Anderson | Director of Photography |
Art | Marthe Pineau | Set Decoration |
Production | Deborah Aquila | Casting |
Editing | Arthur Coburn | Editor |
Production | Ted Tannebaum | Executive Producer |
Costume & Make-Up | Julie Weiss | Costume Design |
Art | Neil Spisak | Production Design |
Production | Richard S. Wright | Producer |
Production | Sean Daniel | Executive Producer |
Costume & Make-Up | Hope Slepak | Costume Supervisor |
Editing | Michael Rafferty | First Assistant Editor |
Sound | Andy Potvin | Dolby Consultant |
Sound | Kerry Ann Carmean | Sound Effects Editor |
Sound | Brad Sherman | Sound Re-Recording Mixer |
Visual Effects | Syd Dutton | Visual Effects Supervisor |
Art | Jeffrey Schlatter | Construction Coordinator |
Art | Andy Krish | Leadman |
Sound | Jeffrey Wilhoit | Foley |
Crew | Vern Hyde | Special Effects Coordinator |
Editing | Paul Hart | First Assistant Editor |
Sound | Mark Allen | Sound Effects Editor |
Visual Effects | Peter Donen | Visual Effects Supervisor |
Crew | Mark Stefanich | Stunt Coordinator |
Sound | Melissa Sherwood Hofmann | Sound Re-Recording Mixer |
Directing | Karen Golden | Script Supervisor |
Crew | Leigh Oblinger | Unit Publicist |
Production | Gina Cascino | Location Manager |
Visual Effects | Fumi Mashimo | Animation |
Art | Erin Fite | Art Department Coordinator |
Sound | Kelly Cabral | Supervising Sound Editor |
Crew | Carla Meyer | Dialect Coach |
Art | Gloria Ann 'Twinkle' Groover | Greensman |
Art | C. Scott Baker | Assistant Art Director |
Sound | James Moriana | Foley |
Sound | Robert Batha | First Assistant Sound Editor |
Sound | Chris Innis | Music Editor |
Sound | Tanya Noel Hill | Music Editor |
Art | David Becton | Greensman |
Costume & Make-Up | Morag Ross | Makeup Artist |
Camera | Billy Clevenger | Camera Operator |
Camera | Melissa Moseley | Still Photographer |
Crew | Cindy Parker | Transportation Coordinator |
Sound | Kelly Oxford | ADR Editor |
Sound | Lauren Stephens | Dialogue Editor |
Camera | Monty Rowan | Second Unit Director of Photography |
Sound | Kimaree Long | Dialogue Editor |
Art | Martin Lasowitz | Property Master |
Sound | Mark Choi | ADR Editor |
Sound | Valerie Davidson | Foley Editor |
Production | Gregory Goodman | Unit Production Manager |
Directing | Bac DeLorme | Second Assistant Director |
Directing | Eric Heffron | First Assistant Director |
Production | Mary Courtney | Production Supervisor |
Crew | James McQuaide | Post Production Supervisor |
Camera | William D. Wynn | Dolly Grip |
Sound | C. Douglas Cameron | Boom Operator |
Crew | Steven Ritzi | Stunts |
Crew | Brandon Sebek | Stunts |
Crew | James M. Churchman | Stunts |
Crew | Christina Ritzi | Stunts |
Production | Grant Curtis | Associate Producer |
Lighting | David Morton | Chief Lighting Technician |
Camera | David L. Merrill | First Company Grip |
Sound | Ed Novick | Production Sound Mixer |
Production | Winnie Cheng | Post Production Coordinator |
Sound | Paul Flinchbaugh | Assistant Sound Editor |
Sound | Nerses Gezalyan | Foley Mixer |
Sound | Greg Zimmerman | Foley Recordist |
Costume & Make-Up | Emanuel Millar | Hair Designer |
Crew | Chad Stahelski | Stunts |
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