On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed.
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Art | Joanne Woollard | Set Decoration |
Costume & Make-Up | Sandy Powell | Costume Design |
Production | Stephen Woolley | Producer |
Art | Tony Woollard | Art Direction |
Editing | Tony Lawson | Editor |
Writing | Graham Greene | Novel |
Art | John Bush | Set Decoration |
Production | Neil Jordan | Producer |
Sound | Michael Nyman | Original Music Composer |
Directing | Neil Jordan | Director |
Writing | Neil Jordan | Screenplay |
Art | Jon Billington | Art Direction |
Production | Susie Figgis | Casting |
Art | Anthony Pratt | Production Design |
Crew | Greg Powell | Stunt Coordinator |
Art | Chris Seagers | Supervising Art Director |
Camera | Roger Pratt | Director of Photography |
Directing | Patrick Clayton | First Assistant Director |
Directing | Diana Dill | Script Supervisor |
Camera | Mike Roberts | Camera Operator |
Camera | Clive Mackey | Focus Puller |
Directing | Michael Stevenson | Second Assistant Director |
Camera | Colin Manning | Key Grip |
Costume & Make-Up | Sharon Long | Wardrobe Supervisor |
Art | John Bohan | Construction Manager |
Crew | Steve Mitchell | Scenic Artist |
Camera | Graham Martyr | Focus Puller |
Art | Jo Graysmark | Assistant Art Director |
Camera | Berndt Wiese | Clapper Loader |
Camera | Alf Tramontin | Steadicam Operator |
Sound | David Stephenson | Sound Mixer |
Costume & Make-Up | Debbie Scott | Assistant Costume Designer |
Crew | Paul Jennings | Stunts |
Lighting | Chuck Finch | Chief Lighting Technician |
Lighting | Thomas Elliot | Electrician |
Lighting | Simon Lucas | Electrician |
Production | Maggie Phelan | Production Accountant |
Lighting | Billy Merrell | Assistant Chief Lighting Technician |
Lighting | Warren Ewen | Electrician |
Visual Effects | Yves De Bono | Special Effects Supervisor |
Production | Deryn Stafford | Production Coordinator |
Production | Phil Hounam | Unit Manager |
Directing | Sean Clayton | Second Second Assistant Director |
Directing | Ian Stone | Second Second Assistant Director |
Crew | Michael Saxton | Post Production Supervisor |
Art | Keith Vowles | Property Master |
Crew | Susan d'Arcy | Unit Publicist |
Visual Effects | Mark Nelmes | Visual Effects Supervisor |
Editing | Jens Baylis | First Assistant Editor |
Production | David Pinnington | Location Manager |
Crew | Julia Wilson Dickson | Dialogue Coach |
Sound | Michael Connell | Supervising Music Editor |
Sound | Sam Auguste | Assistant Sound Editor |
Sound | Andy Thompson | ADR Mixer |
Sound | Robin O'Donoghue | Sound Re-Recording Mixer |
Costume & Make-Up | Demelza Rogers | Makeup & Hair |
Sound | Mark Auguste | Sound Editor |
Sound | Dominic Lester | Sound Re-Recording Mixer |
Costume & Make-Up | Christine Beveridge | Makeup Designer |
Costume & Make-Up | Elaine L. Offers | Makeup Artist |
Sound | Richard Street | Sound Re-Recording Mixer |
Sound | Tim Hands | Dialogue Editor |
Costume & Make-Up | Vivien Riley | Makeup & Hair |
Production | Kathy Sykes | Co-Producer |
Sound | Derek Trigg | Foley Editor |
Costume & Make-Up | Paolo Mantini | Hairstylist |
Costume & Make-Up | Jeremy Woodhead | Makeup Artist |
Costume & Make-Up | Felicity Wright | Hairstylist |
Camera | David Appleby | Still Photographer |
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