In this moody black and white drama, very much in the mode of the American "western," but with its own film noir characteristics, a whole town is heaved out of its doldrums when a pair of mysterious strangers come visiting. In the beginning of the film, Angel is traveling with his friend Max on a ship to Honeyfield, a town on the coast of Australia. He is coming home to die. Instead, he dies on board the ship, willing his boots to Angel, and an unopened package to someone called "The Dead Man," in Honeyfield. Also on the ship is a man named Tatts, a far less pleasant personality. When Angel gets off to head into Honeyfield, Tatts decides to follow along unseen. The package, Angel was told, contains something its intended recipient has been looking for without knowing it. On finding the recipient, a mean-spirited old man who is more or less the boss and owner of the town, he learns that the package contains opium.
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| Writing | Laurie McInnes | Writer |
| Camera | Elise Lockwood | Still Photographer |
| Camera | Mike Kelly | Focus Puller |
| Directing | Laurie McInnes | Director |
| Production | Lynn Gailey | Production Supervisor |
| Production | Gary Mason | Associate Producer |
| Production | Meredith King | Associate Producer |
| Production | Jennifer Cornwell | Production Manager |
| Production | Eric Sankey | Production Accountant |
| Production | Sharon Gerussi | Production Coordinator |
| Production | Guy Parmenter | Production Assistant |
| Production | Liz Begg | Production Secretary |
| Directing | Bruce Redman | First Assistant Director |
| Directing | Jenny Quigley | Continuity |
| Directing | Gordon Fitch | Second Assistant Director |
| Directing | Angella McPherson | Assistant Director Trainee |
| Camera | Mark Muggeridge | Clapper Loader |
| Camera | Phil Cross | Steadicam Operator |
| Sound | Paul 'Salty' Brincat | Sound Recordist |
| Sound | Craig Walmsley | Boom Operator |
| Sound | Basil Krivoroutchko | Boom Operator |
| Production | Chris Strewe | Location Manager |
| Art | Lisa Thompson | Art Direction |
| Art | Nic Brunner | Set Dresser |
| Costume & Make-Up | Lesley Crawford | Wardrobe Designer |
| Costume & Make-Up | Meg Gordon | Wardrobe Supervisor |
| Costume & Make-Up | Christine Miller | Makeup Designer |
| Costume & Make-Up | Christine Miller | Hair Designer |
| Art | Bill Howe | Construction Manager |
| Crew | Jamie Newe | Carpenter |
| Art | Warren Stewart | Runner Art Department |
| Crew | Chris Goddard | Scenic Artist |
| Crew | Gavin Smith | Scenic Artist |
| Lighting | Jack Meyerink | Gaffer |
| Lighting | Iain Mathieson | Best Boy Electric |
| Crew | Gene Van Dam | Generator Operator |
| Crew | Paul Klicin | Generator Operator |
| Lighting | Graham Rutherford | Assistant Gaffer |
| Camera | Kurt Olsen | Key Grip |
| Camera | Damian Ritchie | Assistant Grip |
| Sound | Jeanine Chiaivo | Dialogue Editor |
| Sound | John Dennison | Foley Recordist |
| Sound | Tony Vaccher | ADR Recordist |
| Sound | Leigh Elmes | Assistant Sound Editor |
| Sound | Peter Fenton | Sound Mixer |
| Sound | Ron Purvis | Sound Mixer |
| Crew | Danny Baldwin | Stunt Coordinator |
| Crew | Alan Mowbray | Armorer |
| Sound | David Faulkner | Original Music Composer |
| Camera | Steve Mason | Director of Photography |
| Production | Julie Forster | Line Producer |
| Production | Richard Mason | Producer |
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