Millionaire industrialist Steven Taylor is a man who has everything but what he craves most: the love and fidelity of his wife. A hugely successful player in the New York financial world, he considers her to be his most treasured acquisition. But she needs more than simply the role of dazzling accessory.
Is A Perfect Murder on Netflix? Yes! The movie A Perfect Murder is now on Netflix in the countries listed below.
| Camera | Dariusz Wolski | Director of Photography |
| Writing | Patrick Smith Kelly | Screenplay |
| Editing | Dennis Virkler | Editor |
| Writing | Frederick Knott | Screenplay |
| Sound | James Newton Howard | Original Music Composer |
| Writing | Frederick Knott | Theatre Play |
| Production | Anne Kopelson | Producer |
| Production | Arnold Kopelson | Producer |
| Production | Peter Macgregor-Scott | Producer |
| Directing | Andrew Davis | Director |
| Editing | Dov Hoenig | Editor |
| Production | Cathy Sandrich Gelfond | Casting |
| Production | Stephen Joel Brown | Executive Producer |
| Production | Amanda Mackey | Casting |
| Production | Nana Greenwald | Co-Producer |
| Production | Lowell D. Blank | Associate Producer |
| Production | Mitchell E. Dauterive | Co-Producer |
| Production | Lisa Reardon | Associate Producer |
| Production | Christopher Mankiewicz | Producer |
| Production | Teresa Tucker-Davies | Associate Producer |
| Art | Philip Rosenberg | Production Design |
| Costume & Make-Up | Laura Drawbaugh | Assistant Costume Designer |
| Costume & Make-Up | John Glaser | Assistant Costume Designer |
| Art | Debra Schutt | Set Decoration |
| Sound | Bruce Stambler | Supervising Sound Editor |
| Production | Elizabeth Lang | Casting Associate |
| Art | Patricia Woodbridge | Art Direction |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Camera | Stephen St. John | Steadicam Operator |
| Directing | Dru Anne Carlson | Script Supervisor |
| Camera | Andrew D. Schwartz | Still Photographer |
| Costume & Make-Up | Deirdre N. Williams | Costume Supervisor |
| Sound | Robert Schaper | Sound Re-Recording Mixer |
| Sound | David Olson | Music Editor |
| Crew | Michael Runyard | Stunt Coordinator |
| Editing | Uri Katoni | First Assistant Editor |
| Costume & Make-Up | Milton Buras | Key Hair Stylist |
| Editing | Mark S. Westmore | First Assistant Editor |
| Editing | Nina Lucia | First Assistant Editor |
| Production | Mercedes Kelso | Casting Associate |
| Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
| Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
| Sound | Tom Nelson | Production Sound Mixer |
| Art | David Blankenship | Set Designer |
| Art | Timothy Metzger | Leadman |
| Costume & Make-Up | Eric M. Metzger | Set Dressing Artist |
| Crew | Jeff Brink | Special Effects Coordinator |
| Sound | Daniel Rosenblum | Boom Operator |
| Sound | Paul Aulicino | Assistant Sound Editor |
| Crew | Kevin Keefe | Transportation Coordinator |
| Crew | Tony Marks | Carpenter |
| Crew | Howard Samuelsohn | Dialect Coach |
| Crew | Kevin Flynn | Transportation Captain |
| Sound | Gary Blufer | Sound Editor |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Crew | Arthur Flam | Production Intern |
| Camera | Billy Patsos | Key Grip |
| Production | Jan Foster | Unit Production Manager |
| Production | Michael Stricks | Location Manager |
| Sound | Scott Curtis | Foley Editor |
| Crew | John Cenatiempo | Stunts |
| Directing | Henry J. Bronchtein | First Assistant Director |
| Crew | Heathar Wynne | Set Medic |
| Crew | Robert C. Campion | Production Controller |
| Crew | Kevin McKenna | Video Assist Operator |
| Lighting | William MacGhee | Electrician |
| Production | Christopher DeFaria | Executive In Charge Of Production |
| Art | Jennifer B. Starke | Art Department Coordinator |
| Art | George Hugel | Construction Coordinator |
| Sound | Jeff Atmajian | Orchestrator |
| Crew | Joseph Garzero | Scenic Artist |
| Crew | Michael Singer | Unit Publicist |
| Camera | Mike House | Grip |
| Costume & Make-Up | Caryn Brostoff | Makeup Artist |
| Editing | Bob Putynkowski | Color Timer |
| Production | Gail Barringer | Production Accountant |
| Art | Brick Mason | Production Illustrator |
| Crew | Zsolt Kadar | Loader |
| Art | Martin Lasowitz | Property Master |
| Art | Laura Brock | Assistant Art Director |
| Camera | Zoran Veselic | First Assistant Camera |
| Crew | Charles Bodycomb | Armorer |
| Crew | Edward Devereaux II | Driver |
| Crew | Chris T. Margiano | Craft Service |
| Sound | Lance Brown | Sound Designer |
| Sound | Hilda Hodges | Foley Artist |
| Camera | Ashley Bond | Focus Puller |
| Directing | Amy Lauritsen | Second Assistant Director |
| Sound | Artie Kane | Conductor |
| Lighting | John G. Velez | Assistant Chief Lighting Technician |
| Camera | Keith Bunting | Best Boy Grip |
| Camera | James Pollard | Dolly Grip |
| Sound | Jim Weidman | Supervising Music Editor |
| Production | Joseph Lombardi | Payroll Accountant |
| Lighting | Morris Flam | Chief Lighting Technician |
| Art | Jay Johnson | Title Designer |
| Sound | Mary Jo Lang | Foley Mixer |
| Camera | Jefferson T. Jones | Assistant Camera |
| Production | Paul Kramer | Assistant Location Manager |
| Crew | Dana Hee | Stunt Double |
| Editing | Guy Barresi | Assistant Editor |
| Editing | Mo Henry | Negative Cutter |
| Production | David Ray Martin | Location Assistant |
| Directing | Jennifer Truelove | Second Second Assistant Director |
| Art | Diana Burton | Assistant Property Master |
| Crew | Manex Efrem | Special Effects Technician |
| Camera | James R. Belletier | Second Assistant Camera |
| Sound | Scott Jones | ADR Mixer |
| Production | Matthew Gross | Production Executive |
| Sound | Joseph A. Mayer | Supervising ADR Editor |
| Production | Holly Watson | Production Secretary |
| Sound | Virginia Cook-McGowan | Dialogue Editor |
| Production | Maria Norman | Executive Assistant |
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