Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time.
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| Directing | Shūji Terayama | Director |
| Writing | Shūji Terayama | Screenplay |
| Production | Eiko Kujo | Producer |
| Sound | J.A. Seazer | Original Music Composer |
| Camera | Yoshihiro Tatsuki | Director of Photography |
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