When a young woman's skeletal remains turn up on a Massachusetts beach, Barnstable cop Peter Moralas teams with Boston police and uses forensics, with the help of a Harvard professor, to determine the woman's identity, how she died, and who killed her.
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| Directing | John Sturges | Director |
| Writing | Sydney Boehm | Screenplay |
| Writing | Richard Brooks | Screenplay |
| Production | Frank E. Taylor | Producer |
| Camera | John Alton | Director of Photography |
| Art | Edwin B. Willis | Set Decoration |
| Art | Gabriel Scognamillo | Art Direction |
| Art | Cedric Gibbons | Art Direction |
| Costume & Make-Up | Sydney Guilaroff | Hair Designer |
| Editing | Ferris Webster | Editor |
| Costume & Make-Up | Jack Dawn | Makeup Designer |
| Writing | Leonard Spigelgass | Story |
| Camera | A. Lindsley Lane | Camera Operator |
| Camera | Otto Dyar | Still Photographer |
| Sound | Rudolph G. Kopp | Original Music Composer |
| Costume & Make-Up | John Truwe | Makeup Artist |
| Costume & Make-Up | Ethel Neejus | Hairstylist |
| Costume & Make-Up | Sam Palo | Makeup Artist |
| Production | Charles J. Hunt | Production Manager |
| Directing | Sid Sidman | Assistant Director |
| Art | Ralph S. Hurst | Assistant Set Decoration |
| Sound | Joe Edmondson | Sound |
| Sound | Douglas Shearer | Recording Supervision |
| Camera | Joe DeAce | Grip |
| Lighting | Wes Shanks | Gaffer |
| Camera | Harry Stradling Jr. | Assistant Camera |
| Sound | Sidney Cutner | Orchestrator |
| Crew | Leo Shuken | Additional Music |
| Directing | Don McDougall | Script Supervisor |
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