Bonnie Parker is estranged from her husband while still only just barely eighteen. Clyde Barrow, a handsome charmer who is in love with Bonnie, is a small-time thief, 'borrowing' cars to teach Bonnie to drive. He falls in with W.D. Jones, and their crime levels quickly rise. Soon Bonnie is dragged in with them, due to her love for Clyde, and within a short space of time, everyone is baying for the blood of Bonnie and Clyde.
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| Production | Melissa Skoff | Casting |
| Art | Jack Marty | Production Design |
| Sound | Scott Page-Pagter | Original Music Composer |
| Sound | John Valentino | Original Music Composer |
| Editing | Kevin Krasny | Editor |
| Camera | Rohn Schmidt | Director of Photography |
| Production | Gary Hoffman | Executive Producer |
| Production | Neal Israel | Executive Producer |
| Production | Ooty Moorehead | Producer |
| Writing | Gary Hoffman | Writer |
| Directing | Gary Hoffman | Director |
| Crew | Randy Fife | Stunt Coordinator |
| Crew | Tim Butler | Stunts |
| Crew | Lynn Salvatori | Stunts |
| Production | Bob Lemchen | Unit Production Manager |
| Directing | Robin R. Oliver | First Assistant Director |
| Directing | Thomas Schellenberg | Second Assistant Director |
| Costume & Make-Up | Scilla Andreen | Costume Designer |
| Camera | Eric D. Anderson | Camera Operator |
| Sound | Stacy Brownrigg | Production Sound Mixer |
| Sound | John Ross | Sound Re-Recording Mixer |
| Directing | Lou Ann Quast | Script Supervisor |
| Lighting | Bill Schwarz | Gaffer |
| Camera | Michael Dunson | Key Grip |
| Art | Richard Reams | Set Decoration |
| Art | Mick Fisher | Construction Coordinator |
| Camera | Richard Cantu | First Assistant Camera |
| Costume & Make-Up | James Ryder | Special Effects Makeup Artist |
| Costume & Make-Up | James Ryder | Makeup Artist |
| Costume & Make-Up | Alicia Allain | Hairstylist |
| Costume & Make-Up | Bill Edwards | Wardrobe Supervisor |
| Production | Kim Davis | Location Manager |
| Production | Jo Grossman | Production Coordinator |
| Art | Floyd Smith | Property Master |
| Camera | Anne-Marie Fendrick | Second Assistant Camera |
| Sound | Chris Frazee | Boom Operator |
| Camera | Zane Streater | Dolly Grip |
| Costume & Make-Up | Susan Mayes | Set Costumer |
| Costume & Make-Up | Georgia Ford | Set Costumer |
| Lighting | Ken Byrnes | Best Boy Electrician |
| Costume & Make-Up | John Damiani | Assistant Makeup Artist |
| Costume & Make-Up | Thomas G. Marquez | Assistant Costume Designer |
| Art | Blaise Delacroix | Set Dresser |
| Production | Angie Nicholson | Assistant Production Coordinator |
| Camera | Eric Greenberg | Assistant Camera |
| Visual Effects | Jack Bennett | Special Effects Supervisor |
| Crew | Lawrence A. Aeschlimann | Special Effects |
| Editing | Jay R. Lawton | Assistant Editor |
| Sound | David Grant | Dialogue Editor |
| Sound | Louis Creveling | Dialogue Editor |
| Sound | Mark Seagraves | Dialogue Editor |
| Sound | Steve Scoville | Dialogue Editor |
| Sound | Patrick Giraudi | Dialogue Editor |
| Camera | Michael Britt Hamby | Still Photographer |
| Sound | Beau Maxwell | Foley Recordist |
| Sound | Joshua E. Schneider | ADR Recordist |
| Sound | Debbie Melford | ADR Editor |
| Sound | Dino A. Moriana | Music Editor |
| Sound | George Budd | Music Editor |
| Sound | Paul Berolzheimer | Sound Effects Editor |
| Sound | Scott A. Jennings | Sound Effects Editor |
| Production | Rody Kent | Location Casting |
| Production | Carla Posey | Extras Casting |
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