Out-of-work singer Victoria Grant meets a just-fired, flamboyant gay man in a club in 1920s Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan, falls in love with "him." Filmed live on Broadway, 1995.
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| Writing | Frank Wildhorn | Musical |
| Camera | Ernie Jew | Camera Operator |
| Camera | Manny Gutierrez | Camera Operator |
| Costume & Make-Up | Vera Stabell Stromsted | Makeup Artist |
| Writing | Leslie Bricusse | Musical |
| Sound | Phil Gitomer | Sound Recordist |
| Sound | Daryl Bornstein | Sound Mixer |
| Production | Mark McKenna | Production Manager |
| Lighting | Alan Adelman | Lighting Director |
| Directing | Brian Winkowski | Script Supervisor |
| Sound | Peter Fitzgerald | Sound Designer |
| Camera | Jake Ostroff | Camera Operator |
| Crew | Terry Donohue | Technical Supervisor |
| Production | Jackie Frank | Production Coordinator |
| Sound | Sean McClintock | Sound Recordist |
| Production | Robin de Levita | Executive Producer |
| Writing | Blake Edwards | Musical |
| Lighting | Peggy Eisenhauer | Lighting Design |
| Sound | Ian Fraser | Music Director |
| Camera | Jim Skerdy | Camera Operator |
| Sound | Mark Spector | Sound |
| Sound | Ken Hahn | Sound Post Supervisor |
| Costume & Make-Up | John Isaacs | Hair Designer |
| Directing | Richard R. Schilling | Script Supervisor |
| Costume & Make-Up | Willa Kim | Costume Design |
| Production | Tina Vanderheyden | Associate Producer |
| Production | Blake Edwards | Producer |
| Writing | Blake Edwards | Original Film Writer |
| Camera | Bill Akerlund | Camera Operator |
| Production | Joop van den Ende | Associate Producer |
| Directing | Kirsten Sanderson | Assistant Director |
| Production | Geoffrey Johnson | Casting |
| Writing | Reinhold Schünzel | Original Film Writer |
| Art | Robin Wagner | Set Designer |
| Crew | David Krane | Additional Music |
| Crew | Sarah Miles | Associate Choreographer |
| Crew | B. H. Barry | Fight Choreographer |
| Production | Arthur Siccardi | Production Supervisor |
| Writing | Henry Mancini | Musical |
| Camera | Miguel Armstrong | Camera Operator |
| Sound | Andy Strauber | Sound |
| Sound | David Hewitt | Sound Recordist |
| Lighting | Jules Fisher | Lighting Design |
| Sound | Joseph Thalken | Conductor |
| Production | Vincent Liff | Casting |
| Sound | Billy Byers | Orchestrator |
| Crew | Cynthia Onrubia | Associate Choreographer |
| Production | Toby Simkin | Associate Producer |
| Directing | Blake Edwards | Director |
| Sound | Henry Mancini | Songs |
| Writing | Leslie Bricusse | Lyricist |
| Sound | Frank Wildhorn | Songs |
| Directing | Matthew Diamond | Director |
| Production | Bill Murphy | Producer |
| Production | Allen Newman | Producer |
| Production | John Scher | Executive Producer |
| Directing | Goro Kobayashi | Director |
| Production | Philip W. Hack | Producer |
| Production | Shuichi Amagai | Executive Producer |
| Production | David Horn | Executive Producer |
| Production | Elke Titus | Executive Producer |
| Production | Tony Adams | Producer |
| Production | Jeff Rowland | Executive Producer |
| Costume & Make-Up | Inga Thrasher | Hairstylist |
| Directing | Blake Edwards | Stage Director |
| Crew | Rob Marshall | Choreographer |
| Sound | David Krane | Music Arranger |
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