Bernice and Fontayne grew up so tight they could ‘go for sisters’. After twenty years apart, they are reunited when Bernice is assigned to be Fontayne’s parole officer — just when she needs help on the wrong side of the law.
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| Directing | Liz Ryan | First Assistant Director |
| Sound | Jaime Reyes | Boom Operator |
| Sound | Blake Collins | ADR Mixer |
| Sound | Mason Daring | Original Music Composer |
| Art | Marissa Leguizamon | Set Decoration |
| Art | Kevin J. Long | Art Direction |
| Sound | Glenfield Payne | Sound Re-Recording Mixer |
| Sound | Scott Lehrer | ADR Mixer |
| Costume & Make-Up | Paula Scarpino | Makeup Department Head |
| Art | Linda Naitze Ruiz | Set Decoration |
| Costume & Make-Up | Dana R. Woods | Costume Design |
| Costume & Make-Up | Stephanie Singleton | Hairstylist |
| Sound | Gavin Hecker | Foley Recording Engineer |
| Sound | Dan Korintus | Dialogue Editor |
| Directing | Steven Buhai | Second Assistant Director |
| Sound | Caleb Mose | Production Sound Mixer |
| Costume & Make-Up | Amy Lederman | Makeup Department Head |
| Sound | Robert Fernandez | Sound Re-Recording Mixer |
| Costume & Make-Up | Richard Evans | Key Hair Stylist |
| Sound | Jay Peck | Foley Artist |
| Production | Cindy Tolan | Casting |
| Sound | Rachel Chancey | Foley Editor |
| Costume & Make-Up | Chris Oshun Smith | Hairstylist |
| Sound | Heather Gross | Sound Effects Editor |
| Directing | John Sayles | Director |
| Camera | Kat Westergaard | Director of Photography |
| Writing | John Sayles | Writer |
| Editing | John Sayles | Editor |
| Art | Mara A. Spear | Production Design |
| Production | Alejandro Springall | Producer |
| Production | Peter Bobrow | Producer |
| Production | Edward James Olmos | Producer |
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