In 1950s Ireland and New York, young Eilis Lacey has to choose between two men and two countries.
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Production | Pierre Even | Co-Producer |
Production | Marie-Claude Poulin | Co-Producer |
Production | Amanda Posey | Producer |
Production | Finola Dwyer | Producer |
Production | Nicole Hilaréguy | Line Producer |
Production | Fiona Weir | Casting |
Directing | John Crowley | Director |
Art | Tania Bijlani | Production Design |
Writing | Nick Hornby | Screenplay |
Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
Production | Susan Mullen | Co-Producer |
Writing | Colm Tóibín | Novel |
Editing | Jake Roberts | Editor |
Production | Zygi Kamasa | Executive Producer |
Production | Alan Moloney | Executive Producer |
Production | Caroline Levy | Line Producer |
Production | Thorsten Schumacher | Executive Producer |
Production | Patrick O'Donoghue | Line Producer |
Art | Jenny Oman | Set Decoration |
Lighting | Eames Gagnon | Gaffer |
Camera | Daniel Bishop | Steadicam Operator |
Production | Alice Searby | Casting Associate |
Sound | Dillon Bennett | Sound Effects Editor |
Sound | Mark Heslop | Sound Effects Editor |
Camera | Kerry Brown | Still Photographer |
Visual Effects | Gary Brown | VFX Supervisor |
Lighting | James McGuire | Gaffer |
Art | Irene O'Brien | Art Direction |
Visual Effects | Ciara Gillan | Visual Effects Producer |
Camera | Nicolas Marion | First Assistant Camera |
Directing | Rowena Ladbury | Script Supervisor |
Costume & Make-Up | Ellen Crawshaw | Assistant Costume Designer |
Sound | Yann McCullough | Music Editor |
Sound | Kle Savidge | Music Supervisor |
Sound | Jack Stew | Foley |
Art | Louise Tremblay | Set Decoration |
Art | Robert Parle | Art Direction |
Sound | Glenn Freemantle | Sound Designer |
Visual Effects | Andy Clarke | Visual Effects Supervisor |
Art | Christine Fitzgerald | Assistant Art Director |
Visual Effects | Gillian Mackie | Visual Effects Coordinator |
Sound | Gillian Dodders | ADR & Dubbing |
Costume & Make-Up | Vanessa Porter | Assistant Costume Designer |
Costume & Make-Up | Michelle Côté | Key Hair Stylist |
Editing | Lea Morement | First Assistant Editor |
Costume & Make-Up | Christopher Fulton | Hair Department Head |
Sound | Adam Scrivener | Sound Re-Recording Mixer |
Sound | Glenn Freemantle | Supervising Sound Editor |
Editing | Justin Lanchbury | Digital Intermediate |
Editing | Michelle Cort | Digital Intermediate |
Costume & Make-Up | Ivy Ermert | Makeup Department Head |
Costume & Make-Up | Marlène Rouleau | Makeup Artist |
Sound | Ian Tapp | Sound Re-Recording Mixer |
Costume & Make-Up | R. Cory McCutcheon | Key Hair Stylist |
Costume & Make-Up | Niamh O'Loan | Makeup Artist |
Editing | Steve Owen | Digital Intermediate |
Sound | Michael Brook | Original Music Composer |
Crew | Dustin Hoffman | Thanks |
Production | Lindsay Feldman | Production Manager |
Crew | Pierre L'Heureux | Special Effects |
Production | Patrick Legault | Unit Manager |
Crew | Réal Hamel | Picture Car Coordinator |
Crew | Polly Duval | Post Production Supervisor |
Crew | Jonathan Rutter | Unit Publicist |
Art | François Séguin | Production Design |
Camera | Yves Bélanger | Director of Photography |
Costume & Make-Up | Lorraine Glynn | Hair Designer |
Costume & Make-Up | Morna Ferguson | Makeup Designer |
Production | Christine Langan | Executive Producer |
Directing | Charlie Watson | First Assistant Director |
Production | Beth Pattinson | Executive Producer |
Production | Hussain Amarshi | Executive Producer |
Production | Louise O'Malley | Controller |
Sound | Gillian Dodders | Dialogue Editor |
Sound | Ian Morgan | Dialogue Editor |
Crew | Roger Donaldson | Thanks |
Art | Suzanne Cloutier | Set Decoration |
Production | Liam Kiernan | Assistant Location Manager |
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