In the year 2074, the cybernetics market is dominated by two rival companies: USA's Pinwheel Robotics and Japan's Kobayashi Electronics. Cyborgs are commonplace, used for anything from soldiers to prostitutes. Casella Reese is a prototype cyborg developed for corporate espionage and assassination. She is filled with a liquid explosive called Glass Shadow. Pinwheel plans to eliminate the entire Kobayashi board of directors by using Casella
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| Directing | Michael Schroeder | Director |
| Production | Raju Patel | Producer |
| Production | Alain Silver | Producer |
| Production | Robert S. Lecky | Co-Producer |
| Production | Viju Patel | Co-Producer |
| Production | Jon Turtle | Co-Producer |
| Art | Elisabeth A. Scott | Production Design |
| Art | Michelle Milosh | Art Direction |
| Costume & Make-Up | Kristen Anacker | Costume Design |
| Production | Jeffrey Konvitz | Executive Producer |
| Production | Sharad Patel | Executive Producer |
| Production | Stuart Levens | Associate Producer |
| Production | Uru Patel | Associate Producer |
| Sound | Peter Allen | Music |
| Editing | David M. Richardson | Editor |
| Crew | Patricia M. Peters | Stunts |
| Crew | Kurt Bryant | Stunts |
| Camera | Jamie Thompson | Director of Photography |
| Crew | Merritt Yohnka | Stunts |
| Crew | Debbie Evans | Stunts |
| Crew | Brian Smrz | Stunts |
| Writing | Mark Geldman | Screenplay |
| Writing | Ron Yanover | Screenplay |
| Writing | Michael Schroeder | Screenplay |
| Writing | Mark Geldman | Story |
| Writing | Ron Yanover | Story |
| Production | Barry Barnholtz | Co-Executive Producer |
| Costume & Make-Up | Robert Kurtzman | Special Effects Makeup Artist |
| Costume & Make-Up | Howard Berger | Special Effects Makeup Artist |
| Costume & Make-Up | Moni Mansano | Special Effects Makeup Artist |
| Costume & Make-Up | Camille Henderson | Hair Department Head |
| Costume & Make-Up | Greg Nicotero | Special Effects Makeup Artist |
| Directing | Kelly Schroeder | First Assistant Director |
| Production | David Tripet | Executive In Charge Of Production |
| Directing | Mark Hansson | Second Assistant Director |
| Visual Effects | Dan Schmit | Visual Effects Supervisor |
| Crew | Greg Hendrickson | Special Effects Coordinator |
| Crew | Doc Elliot | Stunts |
| Crew | Thomas DeWier | Stunt Coordinator |
| Crew | Simone Boisseree | Stunts |
| Crew | Eddie Braun | Stunts |
| Crew | Paul Beahm | Stunts |
| Crew | Jon Agro | Stunts |
| Crew | Chino Binamo | Stunts |
| Crew | Jeff Evans | Stunts |
| Crew | Bonnie Happy | Stunts |
| Crew | Jeff Habberstad | Stunts |
| Crew | Rick Hill | Stunts |
| Crew | Lisa Hoyle | Stunts |
| Crew | Rick Kahana | Stunts |
| Crew | Scott Leva | Stunts |
| Crew | Steven D. Ito | Stunt Double |
| Crew | Ray Lykins | Stunts |
| Crew | Kay Kimler | Stunt Coordinator |
| Crew | Douglas O'Neil | Stunts |
| Crew | William Morts | Stunts |
| Crew | Karen Price | Stunts |
| Crew | Jeff Pruitt | Stunts |
| Crew | Tony Snegoff | Stunts |
| Crew | Gregg Sargeant | Stunts |
| Crew | Pete Turner | Stunts |
| Crew | Patrick J. Statham | Stunts |
| Crew | Galen Yuen | Stunts |
| Crew | Brian Christensen | Stunts |
| Lighting | John Joleaud | Gaffer |
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