A portrait of the era of "Red Terror" during the civil war that followed the Bolshevik revolution, The Seventh Companion offers a character study in General Adamov (Andrei Popov), a law professor in the tsarist army, who is incarcerated by the Bolshevik secret police along with many other members of the bourgeoisie. Finally released into the new world of the Soviet Union, the resigned officer finds that he has lost everything from his old life except a mantel clock that he carries through the night from place to place, until he ends up back where he started.
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| Editing | Raisa Izakson | Editor |
| Art | Larisa Smelova | Set Decoration |
| Art | Yevgeniy Styrikovich | Set Decoration |
| Costume & Make-Up | Vilya Rakhmatulina | Costume Design |
| Costume & Make-Up | Nina Skvortsova | Makeup Artist |
| Directing | Aleksei German | Director |
| Writing | Edgar Dubrovsky | Screenplay |
| Sound | Isaac Schwarts | Original Music Composer |
| Camera | Eduard Rozovsky | Director of Photography |
| Art | Igor Vuskovich | Production Design |
| Writing | Yuri Klepikov | Screenplay |
| Directing | Grigoriy Aronov | Director |
| Sound | Boris Antonov | Sound Director |
| Writing | Boris Lavrenev | Book |
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