Berlin, post-Corona. Anton is getting his life off the ground: apprenticeship, his own place with his girlfriend, no drugs, nothing dodgy. But then Anton gets a “yellow letter” in which he’s accused of a serious breach of the peace and resisting arrest. It all happened two years ago and the images come flooding back: the 1st May demo, his arrest. Anton has to get reinvolved in the life he was hoping to put behind him. The naive, good-natured boy feels burning hatred when he realizes he’s not the culprit, but the victim.
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| Directing | Buket Alakuş | Director |
| Writing | Laila Stieler | Writer |
| Production | Peter Hartwig | Producer |
| Crew | Falko Lachmund | Cinematography |
| Editing | Julia Oehring | Editor |
| Production | Karen Wendland | Casting |
| Production | Jacqueline Rietz | Casting |
| Art | Anke Osterloh | Production Design |
| Costume & Make-Up | Anne-Gret Oehme | Costume Design |
| Production | Finn Freund | Production Manager |
| Costume & Make-Up | Uta Spikermann | Makeup Artist |
| Costume & Make-Up | Grit Kosse | Makeup Artist |
| Directing | Claudia Beewen | First Assistant Director |
| Directing | Piet Blankenburg | Second Assistant Director |
| Sound | Peter Deininger | Foley Artist |
| Sound | Till Röllinghoff | Sound |
| Visual Effects | Marco Minelli | VFX Supervisor |
| Crew | Aaron Paape | Stunts |
| Camera | Christian Temme | First Assistant Camera |
| Camera | Lilly Tholl | Second Assistant Camera |
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