In the years before World War II, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children and brings a new love of life and music into the home.
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| Editing | William Reynolds | Editor |
| Writing | Ernest Lehman | Screenplay |
| Directing | Robert Wise | Director |
| Camera | Ted D. McCord | Director of Photography |
| Costume & Make-Up | Dorothy Jeakins | Costume Design |
| Sound | Robert Mayer | Music Editor |
| Crew | Dee Dee Wood | Choreographer |
| Crew | Marc Breaux | Choreographer |
| Sound | Murray Spivack | Sound |
| Sound | Richard Rodgers | Music |
| Sound | Oscar Hammerstein II | Music |
| Sound | Irwin Kostal | Music Arranger |
| Sound | Irwin Kostal | Music Supervisor |
| Costume & Make-Up | Margaret Donovan | Hairstylist |
| Sound | Bernard Freericks | Sound |
| Costume & Make-Up | Ben Nye | Makeup Artist |
| Editing | John Sellars | Colorist |
| Camera | Paul Beeson | Additional Photography |
| Editing | Mark Griffith | Digital Intermediate Colorist |
| Sound | Irwin Kostal | Conductor |
| Lighting | Adolfo Bartoli | Lighting Technician |
| Writing | Howard Lindsay | Book |
| Writing | Russel Crouse | Book |
| Production | Saul Wurtzel | Unit Production Manager |
| Directing | Ridgeway Callow | Assistant Director |
| Production | Lee Wallace | Casting |
| Production | Robert Wise | Producer |
| Art | Walter M. Scott | Set Decoration |
| Production | Peter Levathes | Executive Producer |
| Production | Saul Chaplin | Associate Producer |
| Art | Boris Leven | Production Design |
| Sound | Irwin Kostal | Original Music Composer |
| Art | Ruby R. Levitt | Set Decoration |
| Production | Richard D. Zanuck | Executive Producer |
| Writing | Oscar Hammerstein II | Lyricist |
| Sound | Richard Rodgers | Songs |
| Writing | Richard Rodgers | Lyricist |
| Writing | Maria von Trapp | Story |
| Sound | Richard Rodgers | Original Music Composer |
| Writing | Oscar Hammerstein II | Book |
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