A border-town bombing draws Mexican investigator Miguel Vargas into a corruption-ridden police investigation led by crooked captain Hank Quinlan, setting off a deadly struggle over power, justice, and truth.
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| Directing | Orson Welles | Director |
| Writing | Whit Masterson | Novel |
| Production | Albert Zugsmith | Producer |
| Camera | Russell Metty | Director of Photography |
| Sound | Henry Mancini | Original Music Composer |
| Editing | Aaron Stell | Editor |
| Editing | Virgil W. Vogel | Editor |
| Writing | Orson Welles | Screenplay |
| Crew | David Sharpe | Stunts |
| Costume & Make-Up | Bill Thomas | Costume Design |
| Art | Robert Clatworthy | Art Direction |
| Art | Alexander Golitzen | Art Direction |
| Sound | Leslie I. Carey | Sound |
| Art | John P. Austin | Set Decoration |
| Camera | Sherman Clark | Still Photographer |
| Art | Russell A. Gausman | Set Decoration |
| Sound | Joseph Gershenson | Music Supervisor |
| Costume & Make-Up | Merle Reeves | Hairstylist |
| Lighting | Vic Jones | Gaffer |
| Directing | Terence Nelson | Assistant Director |
| Editing | Edward Curtiss | Additional Editing |
| Directing | Betty A. Griffin | Script Supervisor |
| Crew | Robert Tafur | Technical Supervisor |
| Directing | Harry Keller | Assistant Director |
| Costume & Make-Up | Monty Westmore | Makeup Artist |
| Costume & Make-Up | Vincent Romaine | Makeup Artist |
| Crew | Franklin Coen | Additional Writing |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Crew | Paul Monash | Additional Writing |
| Costume & Make-Up | Maurice Seiderman | Makeup Artist |
| Directing | Phil Bowles | Assistant Director |
| Editing | Ernest J. Nims | Assistant Editor |
| Camera | James V. King | Camera Operator |
| Sound | Barney Kessel | Additional Soundtrack |
| Art | Wayne Fitzgerald | Title Designer |
| Costume & Make-Up | Claire Cramer | Wardrobe Designer |
| Costume & Make-Up | Nevada Penn | Wardrobe Master |
| Camera | Roy Vaughn | Assistant Camera |
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