When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.
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| Directing | Alan Cooke | Director |
| Writing | George Bernard Shaw | Theatre Play |
| Production | Margot Kidder | Co-Producer |
| Costume & Make-Up | Ann Hollowood | Costume Design |
| Sound | Cliff Jones | Original Music Composer |
| Production | Richard C. Baker | Associate Producer |
| Directing | Lili Fournier | Other |
| Directing | Brad Turner | Stage Director |
| Production | Joel Greenberg | Other |
| Lighting | Peter Edwards | Lighting Director |
| Sound | Chuck Reinhart | Sound |
| Sound | Robin Short | Sound |
| Editing | Bernie Clayton | Editor |
| Art | Joyce Liggett | Set Decoration |
| Art | Don McQueen | Set Decoration |
| Art | Mike Patterson | Props |
| Art | Paul Joyal | Props |
| Costume & Make-Up | Paul Raymond | Makeup Artist |
| Costume & Make-Up | Jennifer Bower O'Halloran | Hairstylist |
| Camera | George Cowley | Camera Operator |
| Camera | Steve Cruickshank | Camera Operator |
| Camera | Wayne Summers | Camera Operator |
| Camera | Steve Benson | Camera Operator |
| Production | Peter Bradley | Unit Manager |
| Art | Dave Ferguson | Assistant Art Director |
| Art | John Hazel | Head Carpenter |
| Art | John Marton | Head Carpenter |
| Crew | Otto Fondan | Scenic Artist |
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